1 00:00:00,629 --> 00:00:03,462 (slow jazz music) 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:08,613 --> 00:00:10,613 - Good afternoon, madam. 5 00:00:15,966 --> 00:00:17,027 Good afternoon, Lady Clare. 6 00:00:17,027 --> 00:00:17,930 Welcome aboard. 7 00:00:17,930 --> 00:00:19,753 - Good afternoon, Elaine. 8 00:00:22,149 --> 00:00:22,982 Thank you. 9 00:00:48,461 --> 00:00:50,156 - [Jean] What if she doesn't like me, Bailey? 10 00:00:50,156 --> 00:00:51,124 - [David] Yeah. And? 11 00:00:51,124 --> 00:00:52,980 - So what if I muck it up? 12 00:00:52,980 --> 00:00:55,310 You'll hate me forever and never speak to me again and-- 13 00:00:55,310 --> 00:00:57,220 - I couldn't give a stuff what she thinks. 14 00:00:57,220 --> 00:00:58,127 - But Bailey, I-- 15 00:00:58,127 --> 00:00:58,960 - What? 16 00:01:00,380 --> 00:01:02,430 - Never even been on an aeroplane before. 17 00:01:04,795 --> 00:01:06,650 - It's like a 29 bus with wings. 18 00:01:06,650 --> 00:01:07,483 Come on now. 19 00:01:09,492 --> 00:01:12,423 (David sighs) 20 00:01:12,423 --> 00:01:13,623 You're beautiful. 21 00:01:13,623 --> 00:01:14,790 It'll be fine. 22 00:01:21,180 --> 00:01:22,239 Dry white wine, love. 23 00:01:22,239 --> 00:01:23,932 And she'll have a medium sweet. 24 00:01:23,932 --> 00:01:24,837 Chop-chop. 25 00:01:24,837 --> 00:01:27,292 - [Pilot] This is Captain Michael Fitzmorris. 26 00:01:27,292 --> 00:01:29,013 - Good afternoon, madam. 27 00:01:29,013 --> 00:01:30,680 - [Pilot] To New York International Airport. 28 00:01:30,680 --> 00:01:34,605 Our flight time today is approximately nine hours. 29 00:01:34,605 --> 00:01:36,030 We'll be serving you a five-course luncheon, 30 00:01:36,030 --> 00:01:38,917 and looking after you in the cabin is-- 31 00:01:38,917 --> 00:01:41,541 - [David] All right, Lady C? 32 00:01:41,541 --> 00:01:43,624 (laughs) 33 00:01:44,649 --> 00:01:46,191 - They'll never let us land. 34 00:01:46,191 --> 00:01:49,191 (upbeat jazz music) 35 00:02:17,026 --> 00:02:18,477 - And we were by the river, 36 00:02:18,477 --> 00:02:22,003 and Tony Armstrong Jones was posing me by a willow, 37 00:02:22,003 --> 00:02:25,210 and this man, this rude and rather dirty man, 38 00:02:25,210 --> 00:02:28,190 who I suppose must work on boats or something, 39 00:02:28,190 --> 00:02:29,997 he came up, and this man said, 40 00:02:29,997 --> 00:02:31,840 "Can I be in your picture, lady?" 41 00:02:31,840 --> 00:02:32,700 And I said, "No." 42 00:02:32,700 --> 00:02:33,860 - Never. - Absolutely. 43 00:02:33,860 --> 00:02:36,370 A little higher with the arm, Your Grace. 44 00:02:36,370 --> 00:02:38,840 Not too wide on the lovely lips. 45 00:02:38,840 --> 00:02:40,140 - And he said, "Why not?" 46 00:02:40,140 --> 00:02:42,530 And I said, "They don't photograph just anybody, you know." 47 00:02:42,530 --> 00:02:44,990 If we started saying just anybody was worth photographing, 48 00:02:44,990 --> 00:02:45,823 who knows where we'd be? 49 00:02:45,823 --> 00:02:47,120 - There'd be a revolution. 50 00:02:47,120 --> 00:02:48,380 What did Tony say? 51 00:02:48,380 --> 00:02:50,130 - Tony gave him half a crown and told him to bugger off. 52 00:02:50,130 --> 00:02:51,910 - My goodness. - I know. 53 00:02:53,360 --> 00:02:54,260 - Where's Lavinia? 54 00:02:55,407 --> 00:02:56,535 - [Dark-Haired Model] Well, she was here a moment ago. 55 00:02:56,535 --> 00:02:59,023 - [Lavinia] Oh, no, no, no. 56 00:02:59,023 --> 00:03:00,546 You utter beast. 57 00:03:00,546 --> 00:03:02,050 Oh, no. - Go on, you love it. 58 00:03:02,050 --> 00:03:04,550 - [Lavinia] Oh, God, yeah. 59 00:03:04,550 --> 00:03:06,316 - Oi, Bailey, we're on. 60 00:03:06,316 --> 00:03:07,222 - Righto. 61 00:03:07,222 --> 00:03:08,251 (Lavinia sighs) 62 00:03:08,251 --> 00:03:09,904 (David sighs) 63 00:03:09,904 --> 00:03:10,800 (David panting) 64 00:03:10,800 --> 00:03:15,460 - So same time next week, Your Highness? 65 00:03:15,460 --> 00:03:16,293 - Listen, sonny. 66 00:03:17,140 --> 00:03:21,043 You can stuff me, but don't ever imagine you can afford me. 67 00:03:22,500 --> 00:03:23,600 - Love you too, chief. 68 00:03:25,173 --> 00:03:28,006 (David whistling) 69 00:03:31,390 --> 00:03:32,850 - [Mr. French] So are you going anywhere nice 70 00:03:32,850 --> 00:03:33,823 for the weekend? 71 00:03:33,823 --> 00:03:36,037 - [Dark-Haired Model] Well, I... 72 00:03:36,037 --> 00:03:37,590 - Ah, David, good. 73 00:03:37,590 --> 00:03:39,550 And do we have... 74 00:03:39,550 --> 00:03:40,383 Lavinia. 75 00:03:41,390 --> 00:03:43,320 Are you quite all right? 76 00:03:43,320 --> 00:03:45,060 You look a little flushed. 77 00:03:45,060 --> 00:03:46,210 - I'm divine. 78 00:03:46,210 --> 00:03:47,888 - Perfect, thank you, ladies. 79 00:03:47,888 --> 00:03:48,721 And 80 00:03:53,980 --> 00:03:54,813 still. 81 00:03:56,450 --> 00:03:59,033 (soft ticking) 82 00:04:11,300 --> 00:04:12,468 Lovely. 83 00:04:12,468 --> 00:04:13,670 Well done, all. 84 00:04:13,670 --> 00:04:16,840 Now, for this next shot, I think a little more erect. 85 00:04:16,840 --> 00:04:18,190 If we could orientate it this way, 86 00:04:18,190 --> 00:04:20,900 can we have the key lights higher, George? 87 00:04:20,900 --> 00:04:22,770 20 points, I think, on that. 88 00:04:24,853 --> 00:04:28,413 And if we raise that up a little bit there. 89 00:04:31,050 --> 00:04:32,410 - Mr. French? 90 00:04:32,410 --> 00:04:33,630 I'm off. 91 00:04:33,630 --> 00:04:35,000 - Good heavens, for tea already? 92 00:04:35,000 --> 00:04:35,833 - No. 93 00:04:37,242 --> 00:04:39,380 I'm gonna get me own studio. 94 00:04:39,380 --> 00:04:40,213 I'm leaving you. 95 00:04:42,080 --> 00:04:42,913 - Really, David? 96 00:04:42,913 --> 00:04:44,253 But you're-- - What? 97 00:04:45,780 --> 00:04:47,480 - Not quite the type, I suppose. 98 00:04:47,480 --> 00:04:48,990 - So? 99 00:04:48,990 --> 00:04:51,993 - I mean, who will you work with? 100 00:04:52,890 --> 00:04:54,530 - I'll find someone. 101 00:04:54,530 --> 00:04:55,760 (chuckles) 102 00:04:55,760 --> 00:04:56,593 Easy. 103 00:05:03,026 --> 00:05:06,193 (elegant piano music) 104 00:05:32,360 --> 00:05:34,134 - Look, Jean, they've started already. 105 00:05:34,134 --> 00:05:35,603 - They're doing it, you know, the-- 106 00:05:35,603 --> 00:05:38,603 - [Mr. Shrimpton] The walking thing. 107 00:05:46,800 --> 00:05:48,430 - Good day. 108 00:05:48,430 --> 00:05:51,640 I'm Miss Lucie Clayton, principal of the academy. 109 00:05:51,640 --> 00:05:54,193 And you must be Joan. 110 00:05:55,460 --> 00:05:56,440 - Jean. 111 00:05:56,440 --> 00:05:57,390 - Jean. Jean. 112 00:05:57,390 --> 00:05:58,660 Exactly. 113 00:05:58,660 --> 00:05:59,647 Do come this way. 114 00:06:06,120 --> 00:06:06,953 - [Mr. Shrimpton] It all happened at 115 00:06:06,953 --> 00:06:08,050 a holiday camp, actually. 116 00:06:08,050 --> 00:06:09,311 - [Mrs. Shrimpton] Last year. 117 00:06:09,311 --> 00:06:10,810 - [Lucie] How picturesque. 118 00:06:10,810 --> 00:06:13,460 - Yes, it was one of those beauty contests, you know. 119 00:06:14,320 --> 00:06:16,260 Well, we thought they were just trying 120 00:06:16,260 --> 00:06:17,939 to make up the numbers, but blow me. 121 00:06:17,939 --> 00:06:19,548 - Third. - Third place. 122 00:06:19,548 --> 00:06:20,467 - Can you believe it? 123 00:06:20,467 --> 00:06:21,643 Our Jean, a beauty? 124 00:06:22,490 --> 00:06:23,770 - [Lucie] Well, you know, in the eye 125 00:06:23,770 --> 00:06:25,537 of the beholder and so forth. 126 00:06:25,537 --> 00:06:26,875 (Lucie laughs) 127 00:06:26,875 --> 00:06:28,360 - It's only until she gets married, of course. 128 00:06:28,360 --> 00:06:29,759 - Yes, of course, yes, yes. 129 00:06:29,759 --> 00:06:31,530 - Walking out with a lovely young chap she has caught, 130 00:06:31,530 --> 00:06:33,083 Richard from Henley. 131 00:06:33,940 --> 00:06:35,560 - Fascinating. 132 00:06:35,560 --> 00:06:36,393 Thank you. 133 00:06:37,847 --> 00:06:38,680 Mm. 134 00:06:40,150 --> 00:06:41,043 I'm not sure. 135 00:06:42,230 --> 00:06:46,400 You see, it's a matter of being model material. 136 00:06:46,400 --> 00:06:49,320 The requirements are rather specific. 137 00:06:49,320 --> 00:06:50,153 - I can do it. 138 00:06:51,162 --> 00:06:52,312 The book thing, I mean. 139 00:06:54,400 --> 00:06:55,233 See? 140 00:06:56,808 --> 00:06:59,891 (gentle piano music) 141 00:07:00,880 --> 00:07:01,713 - Very well. 142 00:07:03,430 --> 00:07:04,520 - I've brought cash. 143 00:07:04,520 --> 00:07:05,353 Now, is that wrong? - We thought 144 00:07:05,353 --> 00:07:06,830 we should pay first. 145 00:07:06,830 --> 00:07:09,440 - You may settle your account in any way you wish. 146 00:07:09,440 --> 00:07:10,273 - Jolly good. 147 00:07:12,150 --> 00:07:12,983 Building trade, you know. 148 00:07:12,983 --> 00:07:14,290 Smallholding as well. 149 00:07:14,290 --> 00:07:15,390 Lots of cash. 150 00:07:15,390 --> 00:07:17,673 - Jean, why don't you join the other ladies? 151 00:07:31,314 --> 00:07:32,981 - Yes, as well as... 152 00:07:35,024 --> 00:07:36,350 - Deportment. 153 00:07:36,350 --> 00:07:41,350 - Yes, as well as that, could you teach her a bit of... 154 00:07:44,900 --> 00:07:46,939 - She needs to fit in a bit more. 155 00:07:46,939 --> 00:07:49,272 (loud thud) 156 00:07:51,340 --> 00:07:52,645 - Sorry. 157 00:07:52,645 --> 00:07:56,037 - That might require our extended course. 158 00:07:56,037 --> 00:07:58,826 (upbeat jazz music) 159 00:07:58,826 --> 00:08:00,285 (phone ringing) - That's beautiful, love. 160 00:08:00,285 --> 00:08:02,082 This hand here, just bring it up a little bit. 161 00:08:02,082 --> 00:08:03,100 There you go, that's lovely. 162 00:08:03,100 --> 00:08:05,267 There you go, it's lovely. 163 00:08:06,500 --> 00:08:08,533 Hang about, ladies, keep your knickers off. 164 00:08:11,230 --> 00:08:12,330 Hello, studio five? 165 00:08:12,330 --> 00:08:15,094 - [Man] Hello, yes, would that be Mr. David Bailey? 166 00:08:15,094 --> 00:08:16,440 - This is Bailey, yeah. 167 00:08:16,440 --> 00:08:18,150 - The Mr. David Bailey who was responsible 168 00:08:18,150 --> 00:08:21,760 for the interesting photograph of Pauline Stone 169 00:08:21,760 --> 00:08:23,373 in the "Express" involving a-- 170 00:08:23,373 --> 00:08:24,460 - A squirrel, yeah. 171 00:08:24,460 --> 00:08:25,795 It was stuffed, by the way. 172 00:08:25,795 --> 00:08:26,860 Who's this? 173 00:08:26,860 --> 00:08:29,070 - Oh, sorry, yes, my name's Parsons. 174 00:08:29,070 --> 00:08:32,750 John Parsons, I'm telephoning you from Vogue magazine. 175 00:08:32,750 --> 00:08:33,583 - [Photographer] Come on, darling, 176 00:08:33,583 --> 00:08:34,956 perk it up, will you? - Yeah, and? 177 00:08:34,956 --> 00:08:36,910 - [John] Concerning whether you would care to take up 178 00:08:36,910 --> 00:08:39,903 a position, here, on the staff. 179 00:08:40,777 --> 00:08:42,320 - How much? 180 00:08:42,320 --> 00:08:43,530 - [John] I'm sorry? 181 00:08:43,530 --> 00:08:44,887 - How much is it? 182 00:08:44,887 --> 00:08:46,180 - [Photographer] "Mary had a little lamb," say it. 183 00:08:46,180 --> 00:08:47,840 Get your boat race moving. 184 00:08:47,840 --> 00:08:48,744 - [John] 15 guineas. 185 00:08:48,744 --> 00:08:49,792 - A shot? 186 00:08:49,792 --> 00:08:51,570 - Good heavens, no. 187 00:08:51,570 --> 00:08:52,444 Per week. 188 00:08:52,444 --> 00:08:53,277 (chuckles) 189 00:08:53,277 --> 00:08:54,176 - There we are! - Sorry, chief. 190 00:08:54,176 --> 00:08:55,100 - Can't hear you, love. - I can't hear you. 191 00:08:55,100 --> 00:08:57,010 Hang about, stay there. - Look on here, you know? 192 00:08:57,010 --> 00:08:58,900 Aw, come on, darling, loosen up a bit. 193 00:08:58,900 --> 00:09:00,185 Christ's sake! 194 00:09:00,185 --> 00:09:01,100 (camera snaps) 195 00:09:01,100 --> 00:09:02,790 Take a jump, I don't know, skip. 196 00:09:02,790 --> 00:09:04,403 Something, anything! 197 00:09:05,350 --> 00:09:08,700 - Excuse me, mate, can you just keep it down a bit? 198 00:09:08,700 --> 00:09:10,040 - Sorry, guv. 199 00:09:10,040 --> 00:09:11,010 Women, eh? 200 00:09:11,010 --> 00:09:13,150 If they didn't have a Morris, you'd have to shoot 'em. 201 00:09:13,150 --> 00:09:17,090 Well, look, try saying, "Mary had a little lamb." 202 00:09:17,090 --> 00:09:17,923 - Hello? Yeah. 203 00:09:17,923 --> 00:09:19,670 Sorry, I gotta pass. 204 00:09:19,670 --> 00:09:21,738 15 guineas is less than what Woman's Own 205 00:09:21,738 --> 00:09:23,260 are giving me per photograph. 206 00:09:23,260 --> 00:09:24,630 You wanna work for a proper magazine, 207 00:09:24,630 --> 00:09:26,173 what people really read. 208 00:09:26,173 --> 00:09:27,110 (phone clacks) 209 00:09:27,110 --> 00:09:27,943 - Well. 210 00:09:27,943 --> 00:09:28,782 (sighs) 211 00:09:28,782 --> 00:09:30,036 - [Photographer] Will you wake up?! 212 00:09:30,036 --> 00:09:30,913 Christ's sake! 213 00:09:30,913 --> 00:09:32,983 - All right, ladies, 214 00:09:32,983 --> 00:09:35,021 who wants a lick of my raspberry Mivvi, eh? 215 00:09:35,021 --> 00:09:37,567 Come on, then, get back in positions. 216 00:09:37,567 --> 00:09:38,400 (register rings) 217 00:09:38,400 --> 00:09:41,400 (people chattering) 218 00:09:46,450 --> 00:09:47,283 Oi, mate. 219 00:09:48,150 --> 00:09:49,490 Sell a lot of these? 220 00:09:49,490 --> 00:09:50,771 - [Employee] Some. 221 00:09:50,771 --> 00:09:52,354 Nice little earner. 222 00:09:53,435 --> 00:09:55,514 (slow jazz music) 223 00:09:55,514 --> 00:09:58,181 (phone ringing) 224 00:10:01,492 --> 00:10:02,827 - Bailey. 225 00:10:02,827 --> 00:10:05,460 - All right, Mr. Bailey, a contract position. 226 00:10:05,460 --> 00:10:07,550 Per page, 15 guineas. 227 00:10:07,550 --> 00:10:10,320 Free to shoot for anyone except the enemy, 228 00:10:10,320 --> 00:10:11,973 Harper's, Vanity Fair, Queen. 229 00:10:17,331 --> 00:10:18,527 - All right, cock. 230 00:10:18,527 --> 00:10:19,640 You're on. 231 00:10:19,640 --> 00:10:21,553 - Oh, jolly good. 232 00:10:22,955 --> 00:10:25,960 And is she your girl? 233 00:10:25,960 --> 00:10:27,160 Squirrel lady. 234 00:10:27,160 --> 00:10:31,020 It's just, I'm not wholly sure she's us, 235 00:10:31,020 --> 00:10:32,920 if you know what I mean. 236 00:10:32,920 --> 00:10:34,310 - No, she's not my girl. 237 00:10:34,310 --> 00:10:36,820 No, I don't have a girl. 238 00:10:36,820 --> 00:10:37,920 - Shall we say Monday? 239 00:10:38,780 --> 00:10:40,331 - Done. 240 00:10:40,331 --> 00:10:42,011 (phone clacks) 241 00:10:42,011 --> 00:10:42,861 - Miss Shrimpton. 242 00:10:43,710 --> 00:10:44,543 Love. 243 00:10:45,390 --> 00:10:46,490 You forgot your shoes. 244 00:11:09,437 --> 00:11:13,070 - Hey, Charlie, what happened to that bird from Pinner 245 00:11:13,070 --> 00:11:14,946 with the big Eartha Kitts? 246 00:11:14,946 --> 00:11:16,946 I feel like celebrating. 247 00:11:25,326 --> 00:11:27,286 (birds chirping) 248 00:11:27,286 --> 00:11:30,190 (phone ringing) 249 00:11:30,190 --> 00:11:31,879 ♪ Ba ba, ba ba ♪ 250 00:11:31,879 --> 00:11:32,712 - [Jean] Hello? 251 00:11:32,712 --> 00:11:34,190 - You've got a booking, darling. 252 00:11:34,190 --> 00:11:35,920 Yeah, Acrilan. 253 00:11:35,920 --> 00:11:37,000 Autumn skirts. 254 00:11:37,000 --> 00:11:38,890 The photographer is one David somebody, 255 00:11:38,890 --> 00:11:41,783 not long out of John French's, working at Vogue. 256 00:11:41,783 --> 00:11:43,580 Yeah, asked for you by name. 257 00:11:43,580 --> 00:11:44,420 - Who? - Chrissie! 258 00:11:44,420 --> 00:11:47,380 - David Bailey. - Turn that down this instant! 259 00:11:47,380 --> 00:11:48,710 - It's an ad, darling. 260 00:11:48,710 --> 00:11:49,543 30 guineas. 261 00:11:49,543 --> 00:11:52,430 Smile, pack your bag, and try again. 262 00:11:52,430 --> 00:11:53,620 - Do I have to? 263 00:11:53,620 --> 00:11:54,943 - Yes, darling, you do, 264 00:11:57,096 --> 00:12:00,126 if we're ever going to pay for all those 10 by eights. 265 00:12:00,126 --> 00:12:01,600 - [Mr. Shrimpton] I can't do my bloody accounts 266 00:12:01,600 --> 00:12:03,070 surrounded by that bloody noise! 267 00:12:03,070 --> 00:12:04,900 - [Mrs. Shrimpton] Come on, Dad, she'll turn it down. 268 00:12:04,900 --> 00:12:06,635 - [Mr. Shrimpton] Too right she bloody will! 269 00:12:06,635 --> 00:12:08,904 (record screeches) - Daddy, what are you doing?! 270 00:12:08,904 --> 00:12:10,298 Daddy-- (gramophone crashes) 271 00:12:10,298 --> 00:12:12,244 It was a birthday present! 272 00:12:12,244 --> 00:12:13,276 Why would you do that, Daddy?! 273 00:12:13,276 --> 00:12:14,780 It wasn't that loud! 274 00:12:14,780 --> 00:12:16,207 I mean, seriously, you never, ever 275 00:12:16,207 --> 00:12:18,220 let me do anything that I want, Daddy! 276 00:12:18,220 --> 00:12:20,090 Please, why would you do that?! 277 00:12:20,090 --> 00:12:22,356 (gentle piano music) 278 00:12:22,356 --> 00:12:23,412 Daddy, I hate you! 279 00:12:23,412 --> 00:12:24,245 That was a birthday present! 280 00:12:24,245 --> 00:12:26,570 - [Mr. Shrimpton] If you think that wretched gramophone's 281 00:12:26,570 --> 00:12:27,403 coming back into this house-- 282 00:12:27,403 --> 00:12:28,323 - [Chrissie] I'm sorry, Daddy! 283 00:12:28,323 --> 00:12:29,422 I said I was sorry! 284 00:12:29,422 --> 00:12:32,806 I am, come on, really, I am! (doorbell rings) 285 00:12:32,806 --> 00:12:35,306 (door clacks) 286 00:12:36,300 --> 00:12:37,150 - Richard's here. 287 00:12:38,500 --> 00:12:39,825 - Thanks. 288 00:12:39,825 --> 00:12:40,853 - He's so nice. 289 00:12:41,830 --> 00:12:44,692 He's not gonna wait around forever, you know. 290 00:12:44,692 --> 00:12:46,700 First the typing, now this modeling business-- 291 00:12:46,700 --> 00:12:47,533 - Mum. 292 00:12:48,927 --> 00:12:50,253 - Your dad keeps asking. 293 00:12:57,977 --> 00:12:59,978 - [Mr. Shrimpton] Have you still got that car of yours? 294 00:12:59,978 --> 00:13:01,152 - [Richard] I do indeed, sir, yes. 295 00:13:01,152 --> 00:13:02,010 - What's it called again? 296 00:13:02,010 --> 00:13:03,540 - Sunbeam Alpine. 297 00:13:03,540 --> 00:13:05,627 - Sunbeam, that's a silly name for a car, isn't it? 298 00:13:05,627 --> 00:13:07,032 - Mm, it drives like a treat, though. 299 00:13:07,032 --> 00:13:08,413 - [Mr. Shrimpton] Mm. 300 00:13:08,413 --> 00:13:10,200 - Oh, hello, Jean. 301 00:13:10,200 --> 00:13:11,033 - Hi, Richard. 302 00:13:13,151 --> 00:13:15,401 - [Richard] Thank you, sir. 303 00:13:49,473 --> 00:13:52,673 - [Receptionist] Can I help you? 304 00:13:52,673 --> 00:13:53,506 - Yes. 305 00:13:55,524 --> 00:13:56,357 Sorry. 306 00:13:57,670 --> 00:13:58,503 David Bailey? 307 00:14:01,869 --> 00:14:02,786 - Up there. 308 00:14:04,087 --> 00:14:05,087 - All right. 309 00:14:09,261 --> 00:14:11,270 (Jean yelps) - Good God. 310 00:14:11,270 --> 00:14:12,560 - [Jean] Sorry. 311 00:14:12,560 --> 00:14:13,393 Sorry. 312 00:14:15,338 --> 00:14:17,813 I was looking for the photographer. 313 00:14:19,550 --> 00:14:22,060 - What, well, we have many fine photographers. 314 00:14:22,060 --> 00:14:23,030 Claude Vernier? 315 00:14:23,030 --> 00:14:24,550 Norman Parkinson? 316 00:14:24,550 --> 00:14:26,035 Mr. Cecil Beaton. - Morning. 317 00:14:26,035 --> 00:14:26,868 - Morning. 318 00:14:27,940 --> 00:14:29,120 Oh, those are photographers. 319 00:14:29,120 --> 00:14:31,570 This is a rather charming tea boy. 320 00:14:31,570 --> 00:14:33,193 Studio three, top of the stairs. 321 00:14:34,840 --> 00:14:35,823 Small one. 322 00:14:40,020 --> 00:14:40,853 - Thanks. 323 00:14:41,874 --> 00:14:43,447 - What a drip. 324 00:14:48,996 --> 00:14:51,778 (phone ringing) 325 00:14:51,778 --> 00:14:52,611 - Bailey. 326 00:14:54,167 --> 00:14:55,334 - Bailey what? 327 00:14:57,000 --> 00:14:58,543 I mean, what Bailey? 328 00:14:59,780 --> 00:15:00,613 - Just Bailey. 329 00:15:02,000 --> 00:15:03,460 - Gosh. 330 00:15:03,460 --> 00:15:04,293 Okay. 331 00:15:05,780 --> 00:15:06,613 - Yeah. 332 00:15:08,964 --> 00:15:09,797 - Have we... 333 00:15:12,555 --> 00:15:14,050 (exhales) 334 00:15:14,050 --> 00:15:14,883 - Yeah. 335 00:15:16,070 --> 00:15:17,450 You forgot your shoes. 336 00:15:19,603 --> 00:15:20,436 - Oh, yes. 337 00:15:25,559 --> 00:15:27,430 - All right, then. 338 00:15:27,430 --> 00:15:28,263 Acrilan. 339 00:15:40,757 --> 00:15:43,590 (slow jazz music) 340 00:16:11,793 --> 00:16:14,122 (camera clicking) 341 00:16:14,122 --> 00:16:15,828 (camera snaps) 342 00:16:15,828 --> 00:16:17,700 Hang about, this is marvelous. 343 00:16:17,700 --> 00:16:18,533 Good girl. 344 00:16:19,917 --> 00:16:21,167 Open your mouth slightly. 345 00:16:22,185 --> 00:16:25,457 That left elbow, let it go out more slightly. 346 00:16:25,457 --> 00:16:26,290 That's your right. 347 00:16:26,290 --> 00:16:27,922 No problem, John. 348 00:16:27,922 --> 00:16:28,755 (sighs) 349 00:16:28,755 --> 00:16:29,692 No. 350 00:16:29,692 --> 00:16:31,455 Who told you to move? 351 00:16:31,455 --> 00:16:33,054 Come on, go back to where you were. 352 00:16:33,054 --> 00:16:34,863 - Sorry, being very stiff. 353 00:16:34,863 --> 00:16:36,183 - Yeah, you are a bit. 354 00:16:36,183 --> 00:16:37,513 That's all right, though. 355 00:16:37,513 --> 00:16:39,710 Kinda looks good on you. 356 00:16:39,710 --> 00:16:42,015 (camera snaps) 357 00:16:42,015 --> 00:16:42,848 Kinda. 358 00:16:45,350 --> 00:16:46,813 Lose the bag, lose the hat. 359 00:16:46,813 --> 00:16:48,613 Lose your gloves, lose the earrings. 360 00:16:49,814 --> 00:16:51,314 - Really? - Really. 361 00:16:52,859 --> 00:16:53,692 - Sorry. 362 00:16:56,755 --> 00:16:59,260 I thought you were like John French. 363 00:16:59,260 --> 00:17:00,492 Silly studs. 364 00:17:00,492 --> 00:17:02,825 Pearls don't really suit me. 365 00:17:10,465 --> 00:17:11,715 - I don't know. 366 00:17:14,280 --> 00:17:16,080 You'd look good in a pearl necklace. 367 00:17:22,350 --> 00:17:24,287 Maybe I could help you out with that. 368 00:17:25,305 --> 00:17:26,612 (both laugh) 369 00:17:26,612 --> 00:17:29,810 (camera snapping) 370 00:17:29,810 --> 00:17:32,114 So what part of town you live in, then? 371 00:17:32,114 --> 00:17:33,060 - I don't. 372 00:17:33,060 --> 00:17:34,360 Bucks. I'm a country girl. 373 00:17:35,250 --> 00:17:36,720 - [David] Oh, right. 374 00:17:36,720 --> 00:17:37,654 Head up. 375 00:17:37,654 --> 00:17:40,328 (camera snaps) - On a sort of a farm. 376 00:17:40,328 --> 00:17:42,027 - [David] I see. That's it, more. 377 00:17:42,027 --> 00:17:43,596 (camera snaps) 378 00:17:43,596 --> 00:17:44,916 - What do you see? 379 00:17:44,916 --> 00:17:46,563 - [David] Higher. 380 00:17:46,563 --> 00:17:47,474 Do you have a boyfriend, then? 381 00:17:47,474 --> 00:17:49,383 (camera snaps) 382 00:17:49,383 --> 00:17:50,216 - As a matter of fact. 383 00:17:50,216 --> 00:17:51,690 - What's he called? (camera snaps) 384 00:17:51,690 --> 00:17:52,943 Yes, again. 385 00:17:54,530 --> 00:17:56,230 - He's called Richard du Soixante. 386 00:17:57,470 --> 00:17:59,018 - Oh, right. 387 00:17:59,018 --> 00:17:59,923 I got it. 388 00:17:59,923 --> 00:18:02,227 - Right, you got what? 389 00:18:02,227 --> 00:18:04,640 - Well, you're MGs and Daddy 390 00:18:04,640 --> 00:18:07,183 and chinless wonders, ain't you? 391 00:18:07,183 --> 00:18:09,223 - You don't know anything about me. 392 00:18:09,223 --> 00:18:10,375 - I know you're posh. 393 00:18:10,375 --> 00:18:11,625 - I'm not posh. 394 00:18:12,503 --> 00:18:13,983 I feed the pigs. 395 00:18:13,983 --> 00:18:14,816 - Mm-hm. 396 00:18:15,792 --> 00:18:19,709 And I know you have very, very, very long legs. 397 00:18:24,343 --> 00:18:26,176 Spread 'em, would you? 398 00:18:34,375 --> 00:18:36,036 (camera snaps) 399 00:18:36,036 --> 00:18:37,612 - And you? 400 00:18:37,612 --> 00:18:38,986 What are you? 401 00:18:38,986 --> 00:18:41,162 Apart from happily married. 402 00:18:41,162 --> 00:18:43,613 (shoe screeches) 403 00:18:43,613 --> 00:18:46,400 (laughs) 404 00:18:46,400 --> 00:18:47,960 - Do you like dogs? 405 00:18:47,960 --> 00:18:48,793 - Of course. 406 00:18:49,680 --> 00:18:51,335 We have five. 407 00:18:51,335 --> 00:18:52,168 - What sort? 408 00:18:53,050 --> 00:18:54,650 - Two sheepdogs, an Airedale, 409 00:18:54,650 --> 00:18:56,354 Schnauzer, and a German Shepherd. 410 00:18:56,354 --> 00:18:57,362 (kettle whistling) 411 00:18:57,362 --> 00:18:58,512 - I just got an Afghan. 412 00:19:00,080 --> 00:19:01,030 Fancy a cup of tea? 413 00:19:02,240 --> 00:19:04,130 See, what you want, doll, 414 00:19:04,130 --> 00:19:06,530 is to work with the best and then pick the best of them. 415 00:19:06,530 --> 00:19:09,050 In America, it would be Avedon, it would be Penn, 416 00:19:09,050 --> 00:19:10,530 it would be William Klein. 417 00:19:10,530 --> 00:19:12,800 In America, it would all be different. 418 00:19:12,800 --> 00:19:14,510 Who's your booker, you need a new booker. 419 00:19:14,510 --> 00:19:16,370 All right, what we'll do is get you a nice do, 420 00:19:16,370 --> 00:19:17,832 get you a nice outfit. 421 00:19:17,832 --> 00:19:19,180 You want your hair up, though. 422 00:19:19,180 --> 00:19:20,650 Wanna see them eyes. 423 00:19:20,650 --> 00:19:22,200 And we'll do you some nice pics, but good pics, 424 00:19:22,200 --> 00:19:24,540 interesting pics, something they haven't seen before. 425 00:19:24,540 --> 00:19:25,500 What are you doing next week? 426 00:19:25,500 --> 00:19:27,470 We'll start next Monday and I'll pick you up. 427 00:19:27,470 --> 00:19:28,682 Do you want milk in that, or do you like it 428 00:19:28,682 --> 00:19:30,590 like an old sock? - Which are you? 429 00:19:30,590 --> 00:19:32,130 - Which am I what? 430 00:19:32,130 --> 00:19:32,983 - Best, or what? 431 00:19:34,565 --> 00:19:35,398 - Oh, me? 432 00:19:36,384 --> 00:19:37,484 Well, I'm just Bailey. 433 00:19:38,462 --> 00:19:40,103 I don't get no complaints, though. 434 00:19:41,133 --> 00:19:44,325 (both laugh) 435 00:19:44,325 --> 00:19:47,408 (car engine roaring) 436 00:19:48,810 --> 00:19:50,143 - [Jean] He said a Sunbeam doesn't go faster than 30! 437 00:19:51,300 --> 00:19:53,707 - [David] He wants to put his bloody foot down! 438 00:19:53,707 --> 00:19:54,847 (David laughs) 439 00:19:54,847 --> 00:19:56,564 (Jean laughs) 440 00:19:56,564 --> 00:20:00,949 (water splashes) (horse whinnies) 441 00:20:00,949 --> 00:20:02,136 Well, that's your pictures sorted. 442 00:20:02,136 --> 00:20:04,136 What do we do now, then? 443 00:20:06,205 --> 00:20:08,890 - Right, well, if you drop me off at Wandsworth Town, 444 00:20:08,890 --> 00:20:11,290 then I can catch the Waterloo train to... 445 00:20:27,979 --> 00:20:29,096 Bailey, no. 446 00:20:29,096 --> 00:20:29,929 - What? 447 00:20:31,904 --> 00:20:33,540 You don't look frigid. 448 00:20:33,540 --> 00:20:34,840 - You don't look faithful. 449 00:20:36,313 --> 00:20:37,520 (laughs) 450 00:20:37,520 --> 00:20:41,790 - Well, if it's undying love you're after, 451 00:20:41,790 --> 00:20:44,962 maybe Mr. Richard the Nice Boyfriend can supply. 452 00:20:44,962 --> 00:20:47,789 (engine roars) 453 00:20:47,789 --> 00:20:48,989 As long as you're happy. 454 00:20:53,200 --> 00:20:54,336 - Kiss me again. 455 00:20:54,336 --> 00:20:57,336 (mellow jazz music) 456 00:21:02,250 --> 00:21:03,083 Just kissing. 457 00:21:04,250 --> 00:21:05,437 Till I know you better. 458 00:21:09,635 --> 00:21:11,641 - All right, then. 459 00:21:11,641 --> 00:21:12,641 If you want. 460 00:21:25,749 --> 00:21:27,510 Done that, done that. 461 00:21:27,510 --> 00:21:28,440 (David mumbles) 462 00:21:28,440 --> 00:21:31,870 - Oh, Bailey, we need someone for "Brides" magazine. 463 00:21:31,870 --> 00:21:32,820 - All right, chief. 464 00:21:41,716 --> 00:21:44,053 Here we go, big smile as though it's your wedding. 465 00:21:44,053 --> 00:21:47,030 Dad, on jump, I want you to fling your hand up in the air, 466 00:21:47,030 --> 00:21:48,087 when you're jumping, all right? 467 00:21:48,087 --> 00:21:48,920 Here we go. 468 00:21:48,920 --> 00:21:50,753 One, two, three, jump! 469 00:21:52,209 --> 00:21:53,905 (camera snapping) 470 00:21:53,905 --> 00:21:55,077 (Jean laughs) 471 00:21:55,077 --> 00:21:56,135 There you go. 472 00:21:56,135 --> 00:21:57,196 (camera snaps) That's it, that's it. 473 00:21:57,196 --> 00:21:59,117 Remember, lips open. 474 00:21:59,117 --> 00:22:00,230 That's good, lovely. 475 00:22:00,230 --> 00:22:01,446 That's it. 476 00:22:01,446 --> 00:22:02,528 That's it there. 477 00:22:02,528 --> 00:22:03,816 Great. (camera snaps) 478 00:22:03,816 --> 00:22:05,096 There we go. (camera snaps) 479 00:22:05,096 --> 00:22:06,157 Again. 480 00:22:06,157 --> 00:22:07,307 (camera snaps) Lovely. 481 00:22:21,332 --> 00:22:24,415 I guess I should take you home, then? 482 00:22:30,847 --> 00:22:32,347 - Not immediately. 483 00:22:50,197 --> 00:22:51,530 Can I trust you? 484 00:22:59,396 --> 00:23:00,229 - Mainly. 485 00:23:28,729 --> 00:23:31,479 (birds chirping) 486 00:24:01,852 --> 00:24:03,191 - [Mrs. Shrimpton] Oh, hello, dear. 487 00:24:03,191 --> 00:24:04,130 - Where's Dad? 488 00:24:04,130 --> 00:24:06,296 - [Mrs. Shrimpton] The hayfield, I think. 489 00:24:06,296 --> 00:24:07,685 Want a cup of tea? 490 00:24:07,685 --> 00:24:08,556 - [Jean] Mum. 491 00:24:08,556 --> 00:24:09,650 - [Mrs. Shrimpton] Mm-hm? 492 00:24:09,650 --> 00:24:11,100 - My friend's here. 493 00:24:11,100 --> 00:24:12,430 Bailey. 494 00:24:12,430 --> 00:24:14,893 In the barn, it was late and I said he could kip there. 495 00:24:16,690 --> 00:24:18,240 - Your friend, the married one? 496 00:24:20,398 --> 00:24:21,231 Oh, dear. 497 00:24:22,329 --> 00:24:25,079 (horse exhaling) 498 00:24:29,801 --> 00:24:31,410 - Shit! (horse whinnies) 499 00:24:31,410 --> 00:24:33,993 (dogs barking) 500 00:24:37,438 --> 00:24:38,271 Shit! 501 00:24:43,368 --> 00:24:44,848 (horses whinnying) 502 00:24:44,848 --> 00:24:46,458 Shit! 503 00:24:46,458 --> 00:24:47,291 - Bailey! 504 00:24:48,817 --> 00:24:50,900 (laughs) 505 00:24:55,950 --> 00:24:57,466 - [David] Lovely jam, Mrs. Shrimpton. 506 00:24:57,466 --> 00:24:59,146 - Thank you... 507 00:24:59,146 --> 00:25:00,479 - David. - David. 508 00:25:01,784 --> 00:25:03,610 - Any more toast, David? 509 00:25:03,610 --> 00:25:04,554 - Ha-ha. 510 00:25:04,554 --> 00:25:09,554 (Jean laughs) (footsteps treading) 511 00:25:11,330 --> 00:25:12,350 - Daddy. 512 00:25:12,350 --> 00:25:13,740 Hi. 513 00:25:13,740 --> 00:25:16,693 This is my friend, it was late, and this is Bailey. 514 00:25:19,210 --> 00:25:20,043 - Get out. 515 00:25:22,920 --> 00:25:24,130 I said out. 516 00:25:24,130 --> 00:25:29,130 Get out, damn you, before I throw you out! 517 00:25:30,202 --> 00:25:31,452 - [Jean] Sorry. 518 00:25:32,950 --> 00:25:33,850 I'm sorry. 519 00:25:33,850 --> 00:25:35,380 It's just the way he is. 520 00:25:35,380 --> 00:25:36,749 - Big fucker, your dad, ain't he? 521 00:25:36,749 --> 00:25:41,416 (engine roars) (laughs) 522 00:26:12,316 --> 00:26:15,399 (footsteps treading) 523 00:26:16,590 --> 00:26:18,210 - You are not gonna live here 524 00:26:18,210 --> 00:26:19,853 if you are seeing a married man. 525 00:26:21,002 --> 00:26:21,952 - But it's my home. 526 00:26:23,690 --> 00:26:25,750 - What do you think's gonna happen to you, hm? 527 00:26:25,750 --> 00:26:27,810 To us, to Chrissie now. 528 00:26:27,810 --> 00:26:29,340 - I don't know. - I haven't worked as hard 529 00:26:29,340 --> 00:26:33,590 as this from nothing, nothing. 530 00:26:33,590 --> 00:26:34,930 I haven't worked all these years 531 00:26:34,930 --> 00:26:37,180 to raise a daughter who was a slut. 532 00:26:37,180 --> 00:26:38,740 Now, either you never see him again, 533 00:26:38,740 --> 00:26:40,340 or you get out and you stay out. 534 00:26:46,340 --> 00:26:47,173 - Dad. 535 00:26:48,290 --> 00:26:49,123 I'm 18. 536 00:26:49,980 --> 00:26:50,813 I have a job. 537 00:26:51,950 --> 00:26:53,223 I can do what I like. 538 00:26:55,330 --> 00:26:56,975 I'm not gonna stop seeing him just because you-- 539 00:26:56,975 --> 00:27:00,475 - Well, you'd better go, then, hadn't you? 540 00:27:05,751 --> 00:27:08,834 And we thought you were the good one. 541 00:27:17,481 --> 00:27:18,314 - Right. 542 00:27:20,088 --> 00:27:20,921 Right. 543 00:27:20,921 --> 00:27:24,004 (somber piano music) 544 00:27:33,627 --> 00:27:37,794 (Mrs. Shrimpton faintly speaking) 545 00:27:45,144 --> 00:27:48,227 (footsteps treading) 546 00:27:49,164 --> 00:27:50,138 - [Mrs. Shrimpton] Take it. 547 00:27:50,138 --> 00:27:51,471 - Mum. - Take it. 548 00:28:43,830 --> 00:28:44,974 - Oh, Bailey. 549 00:28:44,974 --> 00:28:47,557 (gentle music) 550 00:29:10,052 --> 00:29:11,892 Bailey, you said we were going for a walk. 551 00:29:11,892 --> 00:29:13,021 - Oh, come on, you look beautiful. 552 00:29:13,021 --> 00:29:14,740 That's it, lovely. 553 00:29:14,740 --> 00:29:15,962 - I'm not even dressed for it. 554 00:29:15,962 --> 00:29:17,386 Look at this trench coat. 555 00:29:17,386 --> 00:29:18,557 - Don't worry about your coat. 556 00:29:18,557 --> 00:29:19,858 (laughs) (camera snaps) 557 00:29:19,858 --> 00:29:20,691 Beautiful. That's it. 558 00:29:20,691 --> 00:29:22,608 Don't move, don't move. 559 00:29:24,547 --> 00:29:28,566 Just stay, that's it. (camera snaps) 560 00:29:28,566 --> 00:29:33,536 Jean, you look beautiful. (camera snaps) 561 00:29:33,536 --> 00:29:35,101 (camera snaps) Woo, there you are. 562 00:29:35,101 --> 00:29:36,131 - Woo. - Lovely. 563 00:29:36,131 --> 00:29:37,169 (camera snaps) 564 00:29:37,169 --> 00:29:38,278 Beautiful, gorgeous. (camera snaps) 565 00:29:38,278 --> 00:29:39,111 That's it. 566 00:29:39,111 --> 00:29:40,300 Straight at me, look straight at me. 567 00:29:40,300 --> 00:29:42,883 (camera snaps) 568 00:30:08,160 --> 00:30:10,260 - David will be here hopefully any minute. 569 00:30:11,570 --> 00:30:13,820 So we have "Shop Hound," the knitwear thing, 570 00:30:13,820 --> 00:30:15,500 the "Hits and Misses" spread. 571 00:30:15,500 --> 00:30:17,050 - The cover with Enid Boulting. 572 00:30:17,050 --> 00:30:17,883 - The portrait of Zeffirelli. 573 00:30:17,883 --> 00:30:19,670 - And, of course, Paulene Stone 574 00:30:19,670 --> 00:30:22,260 and the squirrel in the "Express." 575 00:30:22,260 --> 00:30:23,400 - Innovation is our metier, but I don't think we're really 576 00:30:23,400 --> 00:30:25,625 looking for the Tufty Club, are we? 577 00:30:25,625 --> 00:30:26,922 (group laughs) 578 00:30:26,922 --> 00:30:28,090 (knocking) 579 00:30:28,090 --> 00:30:29,123 - Oh, David. 580 00:30:31,010 --> 00:30:31,843 Do sit down. 581 00:30:35,300 --> 00:30:38,330 David, now, you'll be aware that Lady Clare 582 00:30:38,330 --> 00:30:40,900 has been running the "Young Idea" section 583 00:30:40,900 --> 00:30:44,100 to showcase some of the more youthful styles, 584 00:30:44,100 --> 00:30:45,830 and we have an upcoming lead 585 00:30:45,830 --> 00:30:48,353 we thought you might like to take a shot at. 586 00:30:49,217 --> 00:30:51,380 "Young Idea goes West." 587 00:30:51,380 --> 00:30:52,680 - West? 588 00:30:52,680 --> 00:30:53,870 What? 589 00:30:53,870 --> 00:30:55,619 Reading, Basingstoke? 590 00:30:55,619 --> 00:30:56,460 (John chuckles) 591 00:30:56,460 --> 00:30:57,540 - No. 592 00:30:57,540 --> 00:30:58,373 New York. 593 00:31:02,079 --> 00:31:03,630 - [Clare] Mm! 594 00:31:03,630 --> 00:31:04,620 - Who's wearing the frocks? 595 00:31:04,620 --> 00:31:06,410 - We were thinking of Nicole de Mesier. 596 00:31:06,410 --> 00:31:07,960 - Well, you've got to use Jean. 597 00:31:09,180 --> 00:31:12,250 Jean Shrimpton, she's terrific. 598 00:31:12,250 --> 00:31:13,690 She'd be great for New York. 599 00:31:13,690 --> 00:31:15,310 - She did "Brides" last year. 600 00:31:15,310 --> 00:31:17,480 - [Woman Assistant] Got sort of a beatnik thing. 601 00:31:17,480 --> 00:31:20,843 - Just 'cause you're bonking her doesn't make her any good. 602 00:31:22,560 --> 00:31:23,980 - That's not the point. 603 00:31:23,980 --> 00:31:26,530 The point is she is the most beautiful, 604 00:31:26,530 --> 00:31:28,663 captivating thing I've ever laid eyes on. 605 00:31:29,906 --> 00:31:31,386 - In love, are we? 606 00:31:31,386 --> 00:31:33,010 (chuckles) 607 00:31:33,010 --> 00:31:34,560 - It's in the pics. 608 00:31:34,560 --> 00:31:36,026 She's got it. 609 00:31:36,026 --> 00:31:37,210 I've never seen anything like it. 610 00:31:37,210 --> 00:31:39,260 She doesn't have a bad angle. 611 00:31:39,260 --> 00:31:41,483 You want new, you want young, 612 00:31:42,320 --> 00:31:44,900 you want anything remotely near the 20th century 613 00:31:44,900 --> 00:31:48,283 possessed of actual functioning sexual equipment, 614 00:31:49,720 --> 00:31:51,007 she's your girl. 615 00:31:51,960 --> 00:31:53,640 I won't do it with anyone else. 616 00:31:53,640 --> 00:31:54,980 - Really? 617 00:31:54,980 --> 00:31:55,813 - Really. 618 00:31:56,910 --> 00:32:00,730 It's her, or you can stuff it. 619 00:32:06,999 --> 00:32:09,820 - You do realize this a lead feature? 620 00:32:09,820 --> 00:32:10,653 - Absolutely. 621 00:32:11,680 --> 00:32:12,980 So we should get it right. 622 00:32:14,840 --> 00:32:18,919 - So Miss Shrimpton, perhaps, as the model. 623 00:32:18,919 --> 00:32:19,870 - Oh, no. 624 00:32:19,870 --> 00:32:21,170 Come on, John. 625 00:32:21,170 --> 00:32:23,020 She doesn't look remotely like a "Vogue" model. 626 00:32:23,020 --> 00:32:24,860 I've never seen anyone so plain. 627 00:32:24,860 --> 00:32:26,410 - Why not give it a little try? 628 00:32:30,370 --> 00:32:32,120 - Well, only on the strict understanding 629 00:32:32,120 --> 00:32:35,443 that if we don't like it, we'll shoot it again. 630 00:32:40,180 --> 00:32:41,033 Not with you. 631 00:32:42,752 --> 00:32:45,585 (slow jazz music) 632 00:32:47,151 --> 00:32:49,820 She will not stand in that way on the street in New York. 633 00:32:49,820 --> 00:32:50,879 - What way? 634 00:32:50,879 --> 00:32:51,712 - That way. 635 00:32:51,712 --> 00:32:52,860 Legs akimbo. 636 00:32:52,860 --> 00:32:53,693 - Why not? 637 00:32:55,388 --> 00:32:56,940 - Because it's not the way a lady stands. 638 00:32:56,940 --> 00:32:58,900 On the street, it will seem experienced, 639 00:32:58,900 --> 00:33:01,610 vulgar, open for business. 640 00:33:01,610 --> 00:33:03,880 - If you want innocent, maybe I should have her holding 641 00:33:03,880 --> 00:33:05,130 a bloody teddy bear in every shot. 642 00:33:05,130 --> 00:33:06,460 - Ha, maybe you should. 643 00:33:06,460 --> 00:33:08,320 - Oh, Mr. Bailey. 644 00:33:08,320 --> 00:33:09,850 Congratulations. 645 00:33:09,850 --> 00:33:11,050 Enjoy your trip. 646 00:33:11,050 --> 00:33:15,000 And remember, you are representing "Vogue" magazine. 647 00:33:15,000 --> 00:33:16,650 You will not wear your leather jacket 648 00:33:16,650 --> 00:33:18,670 in the St. Regis Hotel, understood? 649 00:33:18,670 --> 00:33:21,610 Clare, thank you, darling, for the gardenias. 650 00:33:21,610 --> 00:33:23,443 They are just perfect. 651 00:33:31,518 --> 00:33:34,220 (airplane roars) 652 00:33:34,220 --> 00:33:35,270 - [Clare] Mr. Bailey? 653 00:33:37,067 --> 00:33:39,750 I just wanted to touch on a couple of items. 654 00:33:39,750 --> 00:33:41,650 - You can touch what you like, Lady C. 655 00:33:43,690 --> 00:33:46,440 - Did you receive your latest shoot itinerary? 656 00:33:46,440 --> 00:33:47,273 - Yeah. 657 00:33:48,470 --> 00:33:49,760 - Yeah? 658 00:33:49,760 --> 00:33:50,820 - Yeah. 659 00:33:50,820 --> 00:33:53,580 Though, frankly, I could have read any photo feature 660 00:33:53,580 --> 00:33:54,750 on New York in the past 20 years 661 00:33:54,750 --> 00:33:56,020 and it would have been the same. 662 00:33:56,020 --> 00:33:56,853 - Indeed? 663 00:33:57,790 --> 00:34:01,050 - Well, to shoot blah blah blah fashions 664 00:34:01,050 --> 00:34:04,120 against blah blah blah classic backdrops, 665 00:34:04,120 --> 00:34:08,350 the Empire State, the New York Library, Brooklyn Bridge-- 666 00:34:08,350 --> 00:34:11,210 - Have you ever been to New York, Mr. Bailey? 667 00:34:11,210 --> 00:34:13,940 Well, I have, many times. 668 00:34:13,940 --> 00:34:16,910 And I can attest it's the most thrillingly modern city, 669 00:34:16,910 --> 00:34:19,950 largely unfamiliar with many of our readers. 670 00:34:19,950 --> 00:34:22,210 Now, with these particular clothes-- 671 00:34:22,210 --> 00:34:23,753 - Yeah, the schmutter. 672 00:34:24,884 --> 00:34:27,180 - What about the clothes? 673 00:34:27,180 --> 00:34:30,790 - Well, they wouldn't upset your mum, would they? 674 00:34:30,790 --> 00:34:33,350 - Why on Earth would I want to upset anyone's mum? 675 00:34:33,350 --> 00:34:36,200 - Well, I thought we were "Vogue" magazine's "Young Idea"? 676 00:34:36,200 --> 00:34:37,410 Where's the "Young" bit? 677 00:34:37,410 --> 00:34:40,380 I mean, that coat, that silly white dress. 678 00:34:40,380 --> 00:34:43,610 - I suppose you'd have it all leather and sunglasses? 679 00:34:43,610 --> 00:34:44,910 - Yeah, shades might help. 680 00:34:45,890 --> 00:34:48,220 - A lady does not wear shades. 681 00:34:48,220 --> 00:34:50,920 - [David] So it ain't young, and it ain't got an idea. 682 00:34:51,960 --> 00:34:56,960 - Mr. Bailey, David, we should be friends this week. 683 00:34:57,420 --> 00:35:01,600 I should be your best friend because I'm the nice one, 684 00:35:01,600 --> 00:35:04,660 and one day I'll be editor-in-chief of this magazine 685 00:35:04,660 --> 00:35:07,820 and I'll be deciding whether you're hired or fired. 686 00:35:07,820 --> 00:35:08,750 - [David] Really? 687 00:35:08,750 --> 00:35:13,750 - Yes, really, because what do you know about fashion? 688 00:35:14,130 --> 00:35:17,090 You don't know anything about fashion. 689 00:35:17,090 --> 00:35:19,440 I heard your father was a tailor's man, 690 00:35:19,440 --> 00:35:23,013 your mother was, what, a machinist, factory girl? 691 00:35:25,340 --> 00:35:28,223 You are working for "Vogue" magazine. 692 00:35:29,200 --> 00:35:31,030 You could learn something, 693 00:35:31,030 --> 00:35:33,883 if you follow the instructions, Mr. Bailey. 694 00:35:36,410 --> 00:35:37,360 Cut to the pattern. 695 00:35:39,752 --> 00:35:41,170 Oh, and just as soon as you can, 696 00:35:41,170 --> 00:35:43,845 do ditch this ridiculous girl. 697 00:35:43,845 --> 00:35:46,033 I hear that's something you really are quite good at. 698 00:35:47,000 --> 00:35:48,910 Ah, could I have another blanket, please? 699 00:35:48,910 --> 00:35:50,840 - Yes, Your Ladyship. - And a little more Sancerre. 700 00:35:50,840 --> 00:35:51,673 - Certainly, madam. 701 00:35:51,673 --> 00:35:52,950 - My ashtray is full. 702 00:35:52,950 --> 00:35:53,783 - I'll empty it. 703 00:35:55,359 --> 00:35:56,309 - Is it true, then? 704 00:35:58,050 --> 00:35:59,409 - What? 705 00:35:59,409 --> 00:36:01,193 - That you're quite good at ditching girls? 706 00:36:05,410 --> 00:36:07,830 - Only when I've completely used them up 707 00:36:07,830 --> 00:36:10,060 and spat them out like a dry husk. 708 00:36:12,390 --> 00:36:14,973 (lively music) 709 00:36:22,281 --> 00:36:24,762 (yawns) 710 00:36:24,762 --> 00:36:27,762 (car horns honking) 711 00:36:30,311 --> 00:36:31,797 - [Clare] At night. 712 00:36:31,797 --> 00:36:33,060 I think it was supposed to be night. 713 00:36:33,060 --> 00:36:33,970 I didn't know-- 714 00:36:33,970 --> 00:36:35,010 - Lady Clare? 715 00:36:35,010 --> 00:36:37,760 Lady Clare, hi, I'm Larry Schwartz. 716 00:36:37,760 --> 00:36:39,400 Welcome, welcome. 717 00:36:39,400 --> 00:36:40,233 I've been assigned to you 718 00:36:40,233 --> 00:36:43,340 by the Conde Nast Logistics and Transportation Office. 719 00:36:43,340 --> 00:36:45,170 Mrs. Vreeland sends her compliments 720 00:36:45,170 --> 00:36:47,320 and invites you all to her Friday soiree. 721 00:36:47,320 --> 00:36:49,613 And I am here to assist in your orientation around this-- 722 00:36:49,613 --> 00:36:52,040 - Mr. Schwartz. - Yes? 723 00:36:52,040 --> 00:36:53,590 Larry. 724 00:36:53,590 --> 00:36:55,180 It may be happy hour here, 725 00:36:55,180 --> 00:36:57,380 but back in civilization, it's two o'clock in the morning, 726 00:36:57,380 --> 00:36:59,050 I have a headache the size of Gloucestershire, 727 00:36:59,050 --> 00:37:00,547 and I have just had to wait 728 00:37:00,547 --> 00:37:03,140 in the most ugly custom halls imaginable 729 00:37:03,140 --> 00:37:05,870 because of the thoughtlessness of an idiot girl. 730 00:37:05,870 --> 00:37:07,570 - They were only dog-worming pills. 731 00:37:07,570 --> 00:37:08,880 - Oh, that's terrible. 732 00:37:08,880 --> 00:37:10,020 - You know, for my dog. 733 00:37:10,020 --> 00:37:11,540 - I'm so sorry to hear about that-- 734 00:37:11,540 --> 00:37:12,810 - If you speak a syllable again 735 00:37:12,810 --> 00:37:14,220 during the entire process of checking in, 736 00:37:14,220 --> 00:37:16,430 I will have you fired from Conde Nast so swiftly, 737 00:37:16,430 --> 00:37:17,940 you will not so much as draw breath 738 00:37:17,940 --> 00:37:19,440 in the Graybar Building again. 739 00:37:20,990 --> 00:37:25,990 Now, carry my bags, find me some cigarettes, shut up. 740 00:37:31,271 --> 00:37:33,152 (lively music) 741 00:37:33,152 --> 00:37:37,314 Imbecilic, stupid girl. 742 00:37:37,314 --> 00:37:40,290 ♪ Are the stars out tonight ♪ 743 00:37:40,290 --> 00:37:41,431 - Follow me. 744 00:37:41,431 --> 00:37:44,770 ♪ I don't know if it's cloudy or bright ♪ 745 00:37:44,770 --> 00:37:49,770 ♪ 'Cause I only have eyes for you, dear ♪ 746 00:37:52,228 --> 00:37:55,580 ♪ The moon may be high ♪ 747 00:37:55,580 --> 00:37:58,788 ♪ But I can't see a thing in the sky ♪ 748 00:37:58,788 --> 00:38:03,788 ♪ 'Cause I only have eyes for you ♪ 749 00:38:06,820 --> 00:38:11,820 ♪ I don't know if we're in a garden ♪ 750 00:38:13,770 --> 00:38:18,700 ♪ Or on a crowded avenue ♪ 751 00:38:18,700 --> 00:38:23,010 ♪ You are here, so am I ♪ 752 00:38:23,010 --> 00:38:26,503 ♪ Maybe millions of people go by ♪ 753 00:38:26,503 --> 00:38:31,503 ♪ But they all disappear from view ♪ 754 00:38:32,903 --> 00:38:36,820 ♪ And I only have eyes for you ♪ 755 00:38:50,333 --> 00:38:52,750 (door thuds) 756 00:38:53,733 --> 00:38:55,713 - A whole week. 757 00:38:55,713 --> 00:38:56,784 No daddy. 758 00:38:56,784 --> 00:38:57,617 No wife. 759 00:38:59,541 --> 00:39:02,458 Do you think the springs will last? 760 00:39:10,297 --> 00:39:14,964 ♪ Oh, I don't know if we're in a garden ♪ 761 00:39:17,452 --> 00:39:19,395 (shelf door creaks) 762 00:39:19,395 --> 00:39:20,277 - Jesus. 763 00:39:20,277 --> 00:39:24,245 There's a bleeding telly in a hotel room. 764 00:39:24,245 --> 00:39:25,078 - Later. 765 00:39:26,584 --> 00:39:29,735 ♪ Maybe millions of people go by ♪ 766 00:39:29,735 --> 00:39:33,985 ♪ But they all disappear from view ♪ 767 00:39:36,947 --> 00:39:38,727 - Oh, Bailey. 768 00:39:38,727 --> 00:39:39,810 It's so tall. 769 00:39:40,710 --> 00:39:41,852 - Didn't I say? 770 00:39:41,852 --> 00:39:42,750 Didn't I? 771 00:39:42,750 --> 00:39:45,070 (Jean chuckles) 772 00:39:45,070 --> 00:39:47,640 Look, darling, we're in New York. 773 00:39:47,640 --> 00:39:48,473 - We are. 774 00:39:49,549 --> 00:39:50,867 God, we are! 775 00:39:50,867 --> 00:39:53,284 (both laugh) 776 00:40:02,400 --> 00:40:04,260 - Yeah, that's right, tosh. 777 00:40:04,260 --> 00:40:07,650 Egg and chips, as in fish and chips, 778 00:40:07,650 --> 00:40:10,330 as in saveloy and chips, as in chips and chips. 779 00:40:10,330 --> 00:40:11,320 - We're English. 780 00:40:11,320 --> 00:40:12,330 Sorry, we mean fries. 781 00:40:12,330 --> 00:40:13,550 Do you mind awfully? 782 00:40:17,050 --> 00:40:17,883 - Right. 783 00:40:19,904 --> 00:40:22,122 (chuckles) 784 00:40:22,122 --> 00:40:22,955 (egg sizzling) 785 00:40:22,955 --> 00:40:25,955 (gentle jazz music) 786 00:40:36,249 --> 00:40:37,082 - What? 787 00:40:38,710 --> 00:40:39,583 What, Bailey? 788 00:40:45,260 --> 00:40:47,083 - What on Earth did I ever see in you? 789 00:40:49,897 --> 00:40:52,480 (both chuckle) 790 00:40:56,565 --> 00:40:58,050 - [Clare] Excuse me! 791 00:40:58,050 --> 00:40:58,967 Mr. Bailey. 792 00:41:00,348 --> 00:41:01,791 Mr. Bailey. 793 00:41:01,791 --> 00:41:02,624 - What? 794 00:41:02,624 --> 00:41:04,300 - You know perfectly well what. 795 00:41:04,300 --> 00:41:05,940 You're pointing in the wrong direction. 796 00:41:05,940 --> 00:41:07,280 - Really? 797 00:41:07,280 --> 00:41:09,400 Over there, model. 798 00:41:09,400 --> 00:41:10,940 Over here, no model. 799 00:41:10,940 --> 00:41:12,320 I think I'm pointing in the right direction. 800 00:41:12,320 --> 00:41:13,153 - [Clare] No, that's not what I mean. 801 00:41:13,153 --> 00:41:14,440 The girl should be over here. 802 00:41:14,440 --> 00:41:15,740 - It's not about the girl. 803 00:41:17,350 --> 00:41:19,290 - Well, on that we can agree. 804 00:41:19,290 --> 00:41:21,630 It's most certainly not about the girl. 805 00:41:21,630 --> 00:41:23,210 It's about the fashions. 806 00:41:23,210 --> 00:41:25,830 It's about the mid-price spring season young ladies' fashion 807 00:41:25,830 --> 00:41:28,240 that the editorial board of Vogue have decided to showcase 808 00:41:28,240 --> 00:41:30,650 against the sophisticated backdrop of New York. 809 00:41:30,650 --> 00:41:33,490 Pace, morning one, item one: 810 00:41:33,490 --> 00:41:35,020 The famous stone sculptured lions 811 00:41:35,020 --> 00:41:37,830 in front of the famous New York Public Library 812 00:41:37,830 --> 00:41:40,290 in this precise direction over here. 813 00:41:40,290 --> 00:41:42,060 And while you're about it, I would be obliged 814 00:41:42,060 --> 00:41:43,870 if you could show off the exceptionally fine 815 00:41:43,870 --> 00:41:45,183 stitching on the lapel. 816 00:41:48,400 --> 00:41:50,030 - No. 817 00:41:50,030 --> 00:41:51,410 - Sorry? 818 00:41:51,410 --> 00:41:52,670 - No. 819 00:41:52,670 --> 00:41:53,520 You're wrong. 820 00:41:53,520 --> 00:41:55,380 It's not about the poxy clothes. 821 00:41:55,380 --> 00:41:57,880 It's about the street, in actual fact. 822 00:41:57,880 --> 00:42:00,270 It's about the noise. 823 00:42:00,270 --> 00:42:02,540 It's about that drunk guy over there. 824 00:42:02,540 --> 00:42:03,680 It's about the steam! 825 00:42:03,680 --> 00:42:07,180 It's about that big plastic sign that says Twist 826 00:42:07,180 --> 00:42:09,780 which will appear three to four inches above Jean's head 827 00:42:09,780 --> 00:42:11,010 in the magazine spread. 828 00:42:11,010 --> 00:42:13,165 It's about the vibe! 829 00:42:13,165 --> 00:42:16,165 (lively jazz music) 830 00:42:20,960 --> 00:42:22,223 Jean! 831 00:42:22,223 --> 00:42:23,056 Head up! 832 00:42:24,180 --> 00:42:25,557 Bit more! 833 00:42:25,557 --> 00:42:27,730 (camera snaps) Yeah, down with the bear! 834 00:42:27,730 --> 00:42:28,803 That's it. 835 00:42:28,803 --> 00:42:29,890 (camera snaps) 836 00:42:29,890 --> 00:42:31,083 Give us a profile. 837 00:42:32,441 --> 00:42:34,360 (camera snaps) Yeah, up a bit. 838 00:42:34,360 --> 00:42:35,467 Too much. 839 00:42:35,467 --> 00:42:37,070 (camera snaps) 840 00:42:37,070 --> 00:42:38,318 Into the light. 841 00:42:38,318 --> 00:42:39,151 (camera snaps) 842 00:42:39,151 --> 00:42:40,620 Little smile. 843 00:42:40,620 --> 00:42:41,453 Oh, come on. 844 00:42:41,453 --> 00:42:42,520 That's not the way you looked at me 845 00:42:42,520 --> 00:42:43,736 at three in morning. - I've never heard of anything 846 00:42:43,736 --> 00:42:44,569 so ridiculous. 847 00:42:44,569 --> 00:42:47,563 - That's it. (camera snapping) 848 00:42:50,148 --> 00:42:50,981 Done. 849 00:42:52,327 --> 00:42:53,900 - Done? 850 00:42:53,900 --> 00:42:54,930 - We're done. 851 00:42:54,930 --> 00:42:55,763 What's next? 852 00:42:55,763 --> 00:42:56,596 Midtown? 853 00:42:56,596 --> 00:42:58,080 Or can we have a cup of bloody coffee? 854 00:42:58,080 --> 00:42:59,580 I'm freezing me tits off here. 855 00:43:01,040 --> 00:43:02,940 - He hasn't even brought out a tripod. 856 00:43:03,800 --> 00:43:05,850 We haven't done anything we wanted to do. 857 00:43:06,772 --> 00:43:07,722 - So was that okay? 858 00:43:09,010 --> 00:43:10,630 - Yeah, yeah, of course. 859 00:43:10,630 --> 00:43:12,701 Taxi! - How can we possibly be done? 860 00:43:12,701 --> 00:43:14,130 Look at her, she looks like a tramp 861 00:43:14,130 --> 00:43:15,830 with those circles under her eyes. 862 00:43:20,090 --> 00:43:21,067 (camera snaps) 863 00:43:21,067 --> 00:43:22,730 What on Earth is that you're using? 864 00:43:22,730 --> 00:43:23,773 - It's a Pentax S3. 865 00:43:24,648 --> 00:43:26,340 (camera snaps) - Tourist camera? 866 00:43:26,340 --> 00:43:28,100 - No. - An amateur camera. 867 00:43:28,100 --> 00:43:30,518 - Well, that depends who's holding it, doesn't it? 868 00:43:30,518 --> 00:43:31,710 - [Clare] Are you seriously telling me you intend 869 00:43:31,710 --> 00:43:33,617 to spend the morning shooting on that thing? 870 00:43:33,617 --> 00:43:34,501 (camera snaps) - Rest of the week, 871 00:43:34,501 --> 00:43:36,540 if I can help it. - Oh, no, Mr. Bailey, 872 00:43:36,540 --> 00:43:37,940 I'm not an idiot. 873 00:43:37,940 --> 00:43:39,180 What about the reduction in quality? 874 00:43:39,180 --> 00:43:41,230 - There will be no reduction in quality. 875 00:43:41,230 --> 00:43:43,440 There will be a change in quality. 876 00:43:43,440 --> 00:43:46,000 - The negative area produced by a medium format camera 877 00:43:46,000 --> 00:43:47,530 is several times the size 878 00:43:47,530 --> 00:43:49,480 of what can be produced on that thing. 879 00:43:49,480 --> 00:43:52,910 Our results are going to be grainy, blurry-- 880 00:43:52,910 --> 00:43:53,743 - Energetic. 881 00:43:53,743 --> 00:43:55,060 - Hurried. - Fresh, young. 882 00:43:55,060 --> 00:43:56,150 Real. - Cheap. 883 00:43:56,150 --> 00:43:56,983 - Vibrant. 884 00:43:56,983 --> 00:43:58,060 - Grubby. - Instant. 885 00:43:58,060 --> 00:43:58,980 - Messy. 886 00:43:58,980 --> 00:44:01,150 - And alive. 887 00:44:01,150 --> 00:44:03,400 Does anyone remember alive? 888 00:44:03,400 --> 00:44:04,883 That's the one before dead. 889 00:44:05,838 --> 00:44:07,750 - Well, I'm sure we'll still end up with some snaps. 890 00:44:07,750 --> 00:44:09,450 - Who asked you? 891 00:44:09,450 --> 00:44:10,710 Is this it? 892 00:44:10,710 --> 00:44:12,540 Is this the big idea? 893 00:44:12,540 --> 00:44:13,373 You and her? 894 00:44:14,737 --> 00:44:16,340 Oh. 895 00:44:16,340 --> 00:44:17,730 Sorry. 896 00:44:17,730 --> 00:44:19,080 I thought you were supposed to be special, 897 00:44:19,080 --> 00:44:22,543 not some snapper with a jumped-up convent girl in tow. 898 00:44:23,610 --> 00:44:26,270 Well, Shrimp is right. 899 00:44:26,270 --> 00:44:28,053 Wet, pink, and needs dressing. 900 00:44:29,250 --> 00:44:30,690 Come on, Larry. 901 00:44:30,690 --> 00:44:32,463 Leave him to his bit on the side. 902 00:44:34,980 --> 00:44:35,813 - Bailey. 903 00:44:35,813 --> 00:44:36,646 What have you got me into? 904 00:44:38,690 --> 00:44:39,829 (sighs) 905 00:44:39,829 --> 00:44:42,746 (slow piano music) 906 00:45:18,486 --> 00:45:22,216 - [David] I'll bloody take it off if you want. 907 00:45:22,216 --> 00:45:23,629 - [Jean] Well, she's right, Bailey, 908 00:45:23,629 --> 00:45:25,555 I'm just your little bit on the side, aren't I? 909 00:45:25,555 --> 00:45:26,543 - [David] Will you give it a rest? 910 00:45:26,543 --> 00:45:27,858 What do you want from me? 911 00:45:27,858 --> 00:45:28,691 Confetti? 912 00:45:31,935 --> 00:45:33,996 (knocking) 913 00:45:33,996 --> 00:45:34,829 - Good morning, Your Ladyship. 914 00:45:34,829 --> 00:45:37,620 We've got the first contacts 915 00:45:37,620 --> 00:45:40,833 and the document you wanted was telefaxed through, so. 916 00:45:44,780 --> 00:45:48,460 - One or two teething problems, but... 917 00:45:51,490 --> 00:45:53,790 - Was there anything else in particular you... 918 00:45:55,936 --> 00:45:57,320 Mm. 919 00:45:57,320 --> 00:45:58,153 - What? 920 00:45:58,153 --> 00:45:58,986 No one. 921 00:46:00,000 --> 00:46:02,383 Nothing I haven't handled a hundred times. 922 00:46:04,460 --> 00:46:08,373 And I think things are about to be straightened out. 923 00:46:09,661 --> 00:46:12,290 Oh, is that the little darlings? 924 00:46:12,290 --> 00:46:14,506 Oh, they just come in from their walk? 925 00:46:14,506 --> 00:46:15,523 Oh, good. 926 00:46:17,146 --> 00:46:17,996 And the children? 927 00:46:19,046 --> 00:46:22,046 (people chattering) 928 00:46:27,770 --> 00:46:29,277 - You feeling better? 929 00:46:29,277 --> 00:46:30,500 - [Jean] Mm-hm. 930 00:46:30,500 --> 00:46:33,890 - Good 'cause you made your bags even bigger than ever 931 00:46:33,890 --> 00:46:35,873 with all that fuss and crying. 932 00:46:37,090 --> 00:46:38,790 We got shots to do. 933 00:46:38,790 --> 00:46:39,743 Big shots. 934 00:46:40,700 --> 00:46:42,449 Can't work with a bleeding panda. 935 00:46:42,449 --> 00:46:43,282 - Well, you'd better look after 936 00:46:43,282 --> 00:46:45,177 your bleeding panda, then, hadn't you? 937 00:46:47,200 --> 00:46:48,973 - [David] Another egg and chips, Al! 938 00:46:55,070 --> 00:46:55,960 Good morning. 939 00:46:55,960 --> 00:46:56,793 Sleep well? 940 00:46:59,330 --> 00:47:02,970 - You are required, under contract, 941 00:47:02,970 --> 00:47:06,730 to provide photographic services of a quality commensurate 942 00:47:06,730 --> 00:47:09,260 with Conde Nast Publications in general, 943 00:47:09,260 --> 00:47:11,940 and "Vogue" magazine in particular, 944 00:47:11,940 --> 00:47:15,457 and to "provide these services as directed 945 00:47:15,457 --> 00:47:19,340 "by appropriate senior editorial staff." 946 00:47:19,340 --> 00:47:20,790 Commensurate means-- 947 00:47:20,790 --> 00:47:23,060 - I know what it means. 948 00:47:23,060 --> 00:47:24,863 - And senior staff means me. 949 00:47:26,381 --> 00:47:29,270 Now, I'm going to assume that you don't quite yet 950 00:47:29,270 --> 00:47:30,853 wish to resign your contract? 951 00:47:33,060 --> 00:47:33,893 Very well. 952 00:47:34,900 --> 00:47:37,430 Today, we are scheduled to shoot Miss Shrimpton 953 00:47:37,430 --> 00:47:39,750 in front of the United Nations Plaza 954 00:47:39,750 --> 00:47:42,620 in the suede battledress pullover. 955 00:47:42,620 --> 00:47:45,030 In keeping with the grandeur of the architecture, 956 00:47:45,030 --> 00:47:48,130 you will use a tripod, she will appear elegant-- 957 00:47:48,130 --> 00:47:50,190 - And you want it delivered on medium format. 958 00:47:50,190 --> 00:47:51,290 - Yes, I do, Mr. Bailey, 959 00:47:51,290 --> 00:47:54,580 just like every other photograph in "Vogue" magazine. 960 00:47:54,580 --> 00:47:55,480 - All right, then. 961 00:47:57,560 --> 00:47:59,293 - It is more than all right. 962 00:48:00,430 --> 00:48:02,363 It is correct. 963 00:48:05,130 --> 00:48:06,350 - Just one thing. 964 00:48:06,350 --> 00:48:07,183 - Yes? 965 00:48:08,350 --> 00:48:11,270 - Is it possible Jean could wear sunglasses? 966 00:48:11,270 --> 00:48:12,170 Just this once? 967 00:48:15,417 --> 00:48:17,273 - I suppose she might, Bailey, 968 00:48:18,507 --> 00:48:20,290 in a limited amount of exposures. 969 00:48:20,290 --> 00:48:22,783 It is rather bright out and about today. 970 00:48:23,910 --> 00:48:25,403 Well, see you there. 971 00:48:32,070 --> 00:48:33,710 Door, Larry, door. 972 00:48:33,710 --> 00:48:36,700 One step ahead, Larry, one step ahead. 973 00:48:40,760 --> 00:48:41,593 - Thank you. 974 00:48:44,108 --> 00:48:45,858 - What are you up to? 975 00:48:48,209 --> 00:48:49,042 - Nothing. 976 00:48:49,042 --> 00:48:52,042 (mellow jazz music) 977 00:48:56,914 --> 00:48:58,190 - [Clare] Oh, Mrs. Vreeland, 978 00:48:58,190 --> 00:48:59,963 congratulations on the new appointment. 979 00:48:59,963 --> 00:49:02,098 - Ah, you know, new broom. 980 00:49:02,098 --> 00:49:02,931 (Clare laughs) 981 00:49:02,931 --> 00:49:06,140 And how are you enjoying your stay, Lady Rendlesham? 982 00:49:06,140 --> 00:49:08,641 - Well, photographer and model already 983 00:49:08,641 --> 00:49:09,550 (speaking in foreign language). 984 00:49:09,550 --> 00:49:11,511 Nothing we haven't dealt with a thousand times. 985 00:49:11,511 --> 00:49:12,344 - Mm. 986 00:49:12,344 --> 00:49:13,177 (Mrs. Vreeland chuckles) 987 00:49:13,177 --> 00:49:14,940 - Be sure to see me Friday. 988 00:49:14,940 --> 00:49:15,773 - Friday it is. 989 00:49:20,640 --> 00:49:23,653 The dress size is absolutely wonderful. 990 00:49:23,653 --> 00:49:24,736 Taxi, please. 991 00:49:27,701 --> 00:49:28,880 Now, the scarf, I think, 992 00:49:28,880 --> 00:49:31,880 is the absolutely piece de resistance. 993 00:49:31,880 --> 00:49:34,470 Ah, now, aren't they wonderful? 994 00:49:34,470 --> 00:49:37,830 I do love shopping in New York. 995 00:49:37,830 --> 00:49:41,505 (Clare faintly speaking) 996 00:49:41,505 --> 00:49:44,574 Thank you very much. 997 00:49:44,574 --> 00:49:46,407 - [Larry] Here you go. 998 00:49:47,422 --> 00:49:48,339 Lady Clare. 999 00:49:53,505 --> 00:49:56,094 (camera snapping) 1000 00:49:56,094 --> 00:49:56,927 - Hello? 1001 00:49:59,825 --> 00:50:00,870 (camera snaps) 1002 00:50:00,870 --> 00:50:03,400 What on Earth are you doing? 1003 00:50:03,400 --> 00:50:04,520 - I'm shooting Jean in front 1004 00:50:04,520 --> 00:50:07,160 of the UN building using a tripod. 1005 00:50:07,160 --> 00:50:09,310 - [Clare] Yes, but this thing's in the way. 1006 00:50:10,670 --> 00:50:11,720 - [David] Not really. 1007 00:50:12,560 --> 00:50:13,393 - Oh, no, yes, really. 1008 00:50:13,393 --> 00:50:14,226 Yes, positively. 1009 00:50:14,226 --> 00:50:15,140 It's in the way. 1010 00:50:15,140 --> 00:50:16,710 - Well, I can see through it. 1011 00:50:16,710 --> 00:50:17,573 Can you, Jean? 1012 00:50:18,850 --> 00:50:20,120 - Yes, I can see through it. 1013 00:50:20,120 --> 00:50:21,490 - I don't want to see through it. 1014 00:50:21,490 --> 00:50:22,970 If I wanted to see though a filthy fence, 1015 00:50:22,970 --> 00:50:24,930 I'd have gone to a filthy scrapyard. 1016 00:50:24,930 --> 00:50:26,400 - [David] Good idea. 1017 00:50:26,400 --> 00:50:27,747 Larry, see if there are any scrapyards 1018 00:50:27,747 --> 00:50:29,800 within a cab ride of here. 1019 00:50:29,800 --> 00:50:32,200 - Okay, sure. - Larry, do no such thing. 1020 00:50:32,200 --> 00:50:33,430 - [Larry] Okay, sure. 1021 00:50:33,430 --> 00:50:37,050 - Mr. Bailey, I appeal to you, omit the fence. 1022 00:50:37,050 --> 00:50:38,090 - Commit it? 1023 00:50:38,090 --> 00:50:39,720 - [Clare] Omit it. 1024 00:50:39,720 --> 00:50:40,620 - [David] Omit it? 1025 00:50:40,620 --> 00:50:42,140 - [Clare] Yes, leave it out. 1026 00:50:42,140 --> 00:50:43,110 - [David] Oh, I couldn't do that. 1027 00:50:43,110 --> 00:50:44,160 - Why not, pray tell? 1028 00:50:45,970 --> 00:50:49,610 - Because it's symbolic. 1029 00:50:49,610 --> 00:50:51,130 - Symbolic? 1030 00:50:51,130 --> 00:50:51,963 Of what? 1031 00:50:53,130 --> 00:50:56,823 - Old, rusty, been around a long time, 1032 00:50:57,800 --> 00:50:59,700 no use anymore, needs to be torn down. 1033 00:51:00,560 --> 00:51:02,173 Do I have to draw you a picture? 1034 00:51:13,250 --> 00:51:14,870 - Right, if we've finished with this location, 1035 00:51:14,870 --> 00:51:16,600 I think we can move on. 1036 00:51:16,600 --> 00:51:18,540 We've got several more to complete... 1037 00:51:19,451 --> 00:51:21,210 You're not even shooting on a proper camera. 1038 00:51:21,210 --> 00:51:23,910 - Oh, don't worry, I'll get you your medium format. 1039 00:51:23,910 --> 00:51:24,743 - Quite how? 1040 00:51:26,210 --> 00:51:27,043 How?! 1041 00:51:27,043 --> 00:51:28,540 - Because I'm a bloody magician! 1042 00:51:28,540 --> 00:51:30,850 Abra-bloody-cadabra! 1043 00:51:30,850 --> 00:51:32,390 - I'm gonna telephone London about you. 1044 00:51:32,390 --> 00:51:33,460 - Oh, suit yourself. 1045 00:51:33,460 --> 00:51:35,030 - And I'm going to speak to the editor. 1046 00:51:35,030 --> 00:51:36,410 - Old girls united? 1047 00:51:36,410 --> 00:51:38,049 - About you and her, 1048 00:51:38,049 --> 00:51:39,400 and don't think you're going to be invited 1049 00:51:39,400 --> 00:51:41,190 to Mrs. Vreeland's soiree on Friday night. 1050 00:51:41,190 --> 00:51:43,400 - Shame. - And I strongly suggest 1051 00:51:43,400 --> 00:51:45,360 you complete your schedule, 1052 00:51:45,360 --> 00:51:48,200 the Empire State and the park before lunch. 1053 00:51:48,200 --> 00:51:49,281 Larry. - I got you your-- 1054 00:51:49,281 --> 00:51:50,450 - Oh, never mind about the ruddy tea, 1055 00:51:50,450 --> 00:51:51,950 just get me to the hotel, man. 1056 00:51:54,410 --> 00:51:55,991 - Taxi! 1057 00:51:55,991 --> 00:51:56,824 - Bye! 1058 00:51:58,530 --> 00:52:00,710 - She's not pleased, Bailey. 1059 00:52:00,710 --> 00:52:02,520 She'll make a lot of trouble. 1060 00:52:02,520 --> 00:52:03,670 Why are you doing this? 1061 00:52:04,690 --> 00:52:06,700 - Because it's important. 1062 00:52:06,700 --> 00:52:09,030 Because I hate her, I hate all of them. 1063 00:52:09,030 --> 00:52:11,630 - Bailey, if you hate them so much, 1064 00:52:11,630 --> 00:52:13,330 why do you want to be one of them? 1065 00:52:15,098 --> 00:52:16,026 - You what? 1066 00:52:16,026 --> 00:52:17,396 - You know what I mean. 1067 00:52:17,396 --> 00:52:18,229 You don't have to do this. 1068 00:52:18,229 --> 00:52:19,590 You could do something else. 1069 00:52:20,940 --> 00:52:22,330 - If you think I wanna be one of them, 1070 00:52:22,330 --> 00:52:23,647 one of them stuck-up twats-- 1071 00:52:23,647 --> 00:52:25,570 - All I'm saying, Bailey, is-- 1072 00:52:25,570 --> 00:52:28,120 - Jesus Christ, I wonder why I even brung you here. 1073 00:52:28,120 --> 00:52:29,190 - All I'm saying-- - Look, if you've 1074 00:52:29,190 --> 00:52:30,820 got a problem, why don't you go home to daddy 1075 00:52:30,820 --> 00:52:31,670 and cry about it? 1076 00:52:33,720 --> 00:52:35,360 - I can't. 1077 00:52:35,360 --> 00:52:36,910 Remember? 1078 00:52:36,910 --> 00:52:38,470 I'm the cheap tart who's having an affair 1079 00:52:38,470 --> 00:52:39,623 with a married man. 1080 00:52:40,890 --> 00:52:42,750 I can never go home ever again. 1081 00:52:42,750 --> 00:52:45,350 And you've dragged me out here and put me on bloody trial. 1082 00:52:45,350 --> 00:52:47,270 And if she hates me, which she does, 1083 00:52:47,270 --> 00:52:49,150 and you hate me, which you obviously do too, 1084 00:52:49,150 --> 00:52:51,470 then I have no bloody idea 1085 00:52:51,470 --> 00:52:53,520 what will happen to me in my life at all! 1086 00:52:56,141 --> 00:52:56,974 At all! 1087 00:53:03,170 --> 00:53:04,720 - You forgot your bloody teddy! 1088 00:53:06,221 --> 00:53:08,804 (somber music) 1089 00:53:31,622 --> 00:53:33,080 (telephone rings) 1090 00:53:33,080 --> 00:53:33,999 - [Clare] Hello? 1091 00:53:33,999 --> 00:53:35,750 - [Operator] Caller, we have your international collect call 1092 00:53:35,750 --> 00:53:36,583 to London, England. 1093 00:53:36,583 --> 00:53:37,790 - Yes, yes. 1094 00:53:37,790 --> 00:53:39,203 - [Operator] Connecting you now. 1095 00:53:41,168 --> 00:53:42,250 - [Man] Hello? 1096 00:53:42,250 --> 00:53:44,900 - Hello, is that Miss Garland's office? 1097 00:53:44,900 --> 00:53:47,340 - No, Clare, it's John Parsons. 1098 00:53:47,340 --> 00:53:48,173 It's past five. 1099 00:53:48,173 --> 00:53:49,180 Ailsa's gone. 1100 00:53:49,180 --> 00:53:52,050 Oh, I saw your telex about Bailey. 1101 00:53:52,050 --> 00:53:52,990 - He's frightful, John. 1102 00:53:52,990 --> 00:53:53,823 He really is. 1103 00:53:53,823 --> 00:53:54,656 Low, rude. 1104 00:53:54,656 --> 00:53:56,400 I mean, there is a right way to conduct things 1105 00:53:56,400 --> 00:53:58,500 and he's not subscribing to it in the least, 1106 00:53:58,500 --> 00:53:59,930 he and the girl. 1107 00:53:59,930 --> 00:54:01,930 He's not even shooting on proper-- 1108 00:54:01,930 --> 00:54:04,918 - [John] We have six or seven star photographers. 1109 00:54:04,918 --> 00:54:06,470 But he does have a certain raw talent. 1110 00:54:06,470 --> 00:54:07,830 - Sorry, how did he do this? 1111 00:54:07,830 --> 00:54:10,407 - I don't know, Your Ladyship. 1112 00:54:10,407 --> 00:54:13,170 - How the hell is he turning them into proper film? 1113 00:54:13,170 --> 00:54:15,340 - Long as he's delivering in the appropriate way. 1114 00:54:15,340 --> 00:54:17,490 - [Clare] You should see these shots. 1115 00:54:17,490 --> 00:54:19,270 I'm having them expressed to you. 1116 00:54:19,270 --> 00:54:22,393 - Of course, listen, Clare, I'll make some calls. 1117 00:54:23,430 --> 00:54:25,830 Do try and work together in the meantime. 1118 00:54:25,830 --> 00:54:27,033 - But he's impossible. 1119 00:54:28,010 --> 00:54:29,180 And this girl-- 1120 00:54:29,180 --> 00:54:31,283 - Remember, Clare, we need this session. 1121 00:54:32,130 --> 00:54:34,430 If you don't feel able to complete it-- 1122 00:54:34,430 --> 00:54:36,170 - I warned you about her. 1123 00:54:36,170 --> 00:54:37,720 - Shall I speak to Ailsa? 1124 00:54:37,720 --> 00:54:39,870 - You dare, John. 1125 00:54:39,870 --> 00:54:41,000 I'll handle this. 1126 00:54:41,000 --> 00:54:42,380 - Very well. 1127 00:54:42,380 --> 00:54:44,560 - And make sure Ailsa receives them. 1128 00:54:44,560 --> 00:54:45,953 She will agree with me. 1129 00:54:54,942 --> 00:54:57,609 (siren wailing) 1130 00:55:00,091 --> 00:55:01,341 - [David] Jean! 1131 00:55:03,089 --> 00:55:03,922 - What? 1132 00:55:05,800 --> 00:55:07,460 - You know I think you're beautiful. 1133 00:55:07,460 --> 00:55:08,293 - Hardly. 1134 00:55:09,380 --> 00:55:10,743 - No, I do. 1135 00:55:15,210 --> 00:55:18,293 (gentle piano music) 1136 00:55:22,851 --> 00:55:24,768 I think you're amazing. 1137 00:55:26,120 --> 00:55:27,220 You're Jean Shrimpton. 1138 00:55:28,752 --> 00:55:30,202 I can't take my eyes off you. 1139 00:55:33,131 --> 00:55:35,837 You have the longest, most elegant neck, 1140 00:55:38,200 --> 00:55:39,763 the most intense eyes. 1141 00:55:41,800 --> 00:55:43,710 You have a spine like a swan 1142 00:55:45,900 --> 00:55:48,050 and the most gorgeous hands I've ever seen. 1143 00:55:51,251 --> 00:55:53,653 You have the longest legs, fantastic bum. 1144 00:55:58,660 --> 00:56:00,913 Every time I see your toes, I want to kiss 'em. 1145 00:56:02,630 --> 00:56:05,091 (sighs) 1146 00:56:05,091 --> 00:56:06,707 - I don't have any bosoms. 1147 00:56:07,730 --> 00:56:08,580 - You're perfect. 1148 00:56:10,670 --> 00:56:11,503 You're Jean. 1149 00:56:15,830 --> 00:56:17,530 I can't do this without you, girl. 1150 00:56:22,302 --> 00:56:24,420 (camera snaps) (Jean gasps) 1151 00:56:24,420 --> 00:56:26,080 - Bailey! - What? 1152 00:56:26,080 --> 00:56:27,050 You look great. 1153 00:56:27,050 --> 00:56:27,883 Can't I take some snaps? 1154 00:56:27,883 --> 00:56:28,939 This place is great. 1155 00:56:28,939 --> 00:56:30,240 - But what if she finds out? 1156 00:56:30,240 --> 00:56:31,123 Won't she mind we're not 1157 00:56:31,123 --> 00:56:32,713 at the Empire State-- - She can't say nothing. 1158 00:56:34,610 --> 00:56:35,533 We're on lunch. 1159 00:56:38,215 --> 00:56:40,798 (gentle music) 1160 00:57:03,670 --> 00:57:04,950 - [Al] There you are, Mr. Bailey. 1161 00:57:04,950 --> 00:57:07,020 All in medium format now. 1162 00:57:07,020 --> 00:57:09,787 - Thanks, Al. 1163 00:57:09,787 --> 00:57:10,620 (camera snaps) 1164 00:57:10,620 --> 00:57:12,580 - You're welcome. - Nice job. 1165 00:57:12,580 --> 00:57:13,650 - No. (camera snaps) 1166 00:57:13,650 --> 00:57:14,483 Maybe. 1167 00:57:15,560 --> 00:57:16,393 No! 1168 00:57:17,480 --> 00:57:18,313 Never. 1169 00:57:24,630 --> 00:57:25,980 No! 1170 00:57:25,980 --> 00:57:26,980 No! 1171 00:57:26,980 --> 00:57:28,183 Not good enough, no! 1172 00:57:36,081 --> 00:57:38,230 (key clacking) 1173 00:57:38,230 --> 00:57:39,720 (key jingles) 1174 00:57:39,720 --> 00:57:40,723 - Ah, Jean. 1175 00:57:43,410 --> 00:57:45,343 Could us girls have a little chat? 1176 00:57:52,600 --> 00:57:54,210 Well, I feel neglectful. 1177 00:57:54,210 --> 00:57:56,800 Here we are in one of the chicest cities in the world, 1178 00:57:56,800 --> 00:57:58,540 and I have spent no time at all 1179 00:57:58,540 --> 00:58:00,690 showing you the best of the place, 1180 00:58:00,690 --> 00:58:04,243 or my special access to everything it happens to offer. 1181 00:58:05,250 --> 00:58:07,873 This is Lanvin. 1182 00:58:09,500 --> 00:58:11,500 They gave it to me at Glamour yesterday. 1183 00:58:12,800 --> 00:58:13,700 You should try it. 1184 00:58:14,700 --> 00:58:17,983 Suits you, when you feel like being a lady. 1185 00:58:20,836 --> 00:58:22,030 (sighs) 1186 00:58:22,030 --> 00:58:24,653 All right, be difficult. 1187 00:58:27,330 --> 00:58:30,240 I expect that's what they taught you at secondary modern. 1188 00:58:30,240 --> 00:58:31,190 - What do you want? 1189 00:58:34,634 --> 00:58:37,520 - I'm having a little man trouble, sweetie. 1190 00:58:37,520 --> 00:58:39,863 This, I suspect, we do have in common. 1191 00:58:39,863 --> 00:58:40,696 Mm? 1192 00:58:43,660 --> 00:58:46,860 Not quite responding how you'd like either, is he? 1193 00:58:46,860 --> 00:58:48,630 Thing is, we've wandered a little off-piste 1194 00:58:48,630 --> 00:58:50,500 as far as the job's concerned. 1195 00:58:50,500 --> 00:58:51,420 Do you ski? 1196 00:58:51,420 --> 00:58:52,730 No, of course not. 1197 00:58:52,730 --> 00:58:53,710 But you should be very clear 1198 00:58:53,710 --> 00:58:55,200 that if we stray this far off the path, 1199 00:58:55,200 --> 00:58:57,290 one of us is going to get fired. 1200 00:58:57,290 --> 00:58:58,910 Me? 1201 00:58:58,910 --> 00:58:59,743 You? 1202 00:59:00,690 --> 00:59:01,523 Him? 1203 00:59:02,630 --> 00:59:05,140 Now, do you want it to happen to him? 1204 00:59:05,140 --> 00:59:06,090 Do you? 1205 00:59:06,090 --> 00:59:07,623 Just when he's doing so well? 1206 00:59:08,650 --> 00:59:10,470 Do you have any opinions about this? 1207 00:59:10,470 --> 00:59:11,537 Do you? 1208 00:59:11,537 --> 00:59:13,410 (screams) 1209 00:59:13,410 --> 00:59:15,500 Why can he not actually see, 1210 00:59:15,500 --> 00:59:19,470 why can he not actually understand that I am an innovator, 1211 00:59:19,470 --> 00:59:22,320 that I am the only one at that ruddy magazine 1212 00:59:22,320 --> 00:59:25,137 who can see, who can actually see, where things are going?! 1213 00:59:25,137 --> 00:59:28,660 And to be treated like I'm some super-annuated 1214 00:59:28,660 --> 00:59:30,560 Edwardian battleship... 1215 00:59:37,320 --> 00:59:38,533 I do apologize. 1216 00:59:45,700 --> 00:59:48,730 We're all a long way from home and-- 1217 00:59:48,730 --> 00:59:49,680 - Leave it with me. 1218 00:59:56,563 --> 00:59:57,893 Give me 10 minutes. 1219 01:00:00,470 --> 01:00:02,242 - Should I follow? 1220 01:00:02,242 --> 01:00:03,342 - Yes, Larry, yes, do. 1221 01:00:09,927 --> 01:00:12,927 (people chattering) 1222 01:00:15,880 --> 01:00:17,430 - Come bearing a flag of truce. 1223 01:00:22,900 --> 01:00:24,508 - You mean her. 1224 01:00:24,508 --> 01:00:25,900 - I mean her. 1225 01:00:25,900 --> 01:00:26,733 - She means her. 1226 01:00:28,706 --> 01:00:30,970 - Like she can't talk for herself. 1227 01:00:30,970 --> 01:00:32,520 Like you have to go helping her. 1228 01:00:32,520 --> 01:00:36,173 What is this, posh girls stick together? 1229 01:00:37,220 --> 01:00:38,880 Miss Jean Shrimpton shows her true colors-- 1230 01:00:38,880 --> 01:00:41,813 - You know, at the bottom of it, I think she's hurt. 1231 01:00:42,670 --> 01:00:43,820 - So? 1232 01:00:43,820 --> 01:00:47,550 - So fashion isn't just a job for her. 1233 01:00:47,550 --> 01:00:48,520 It's her birthright. 1234 01:00:48,520 --> 01:00:50,640 You know, she's supposed to inherit the job 1235 01:00:50,640 --> 01:00:53,330 of deciding what's beautiful, and what's not, 1236 01:00:53,330 --> 01:00:57,670 from all the other purebred old ladies who went before her, 1237 01:00:57,670 --> 01:01:00,500 and maybe we're the end. 1238 01:01:00,500 --> 01:01:03,190 Bailey, me, you, us mongrels, 1239 01:01:03,190 --> 01:01:05,153 we're just the end of all that. 1240 01:01:07,180 --> 01:01:08,930 Wouldn't hurt to be a little nicer. 1241 01:01:13,380 --> 01:01:15,271 - What does she want? 1242 01:01:15,271 --> 01:01:17,600 - She wants a proper picture at the UN, 1243 01:01:17,600 --> 01:01:19,283 just one, like in the plan. 1244 01:01:20,670 --> 01:01:21,503 God, I need a coffee. 1245 01:01:21,503 --> 01:01:23,440 - What sort of picture? 1246 01:01:23,440 --> 01:01:27,160 - Nonspecific, but without a chain-link fence. 1247 01:01:27,160 --> 01:01:27,993 Please? 1248 01:01:34,800 --> 01:01:36,660 - Tell her all right. 1249 01:01:36,660 --> 01:01:39,960 - Bailey, I knew you were a softie. 1250 01:01:39,960 --> 01:01:42,743 - Yeah, that's me all right. 1251 01:01:42,743 --> 01:01:44,811 (Jean laughs) (Larry laughs) 1252 01:01:44,811 --> 01:01:46,725 (camera snapping) 1253 01:01:46,725 --> 01:01:47,960 - Bailey? 1254 01:01:47,960 --> 01:01:49,790 Bailey, are you sure about this? 1255 01:01:49,790 --> 01:01:50,840 - [David] Absolutely! 1256 01:01:51,760 --> 01:01:53,720 - But-- - But nothing! 1257 01:01:53,720 --> 01:01:56,180 I can't see an old chain-link fence anywhere. 1258 01:01:56,180 --> 01:01:57,100 Can you, Larry? 1259 01:01:57,100 --> 01:01:59,280 - No, no, I don't see a chain-link fence, 1260 01:01:59,280 --> 01:02:02,290 probably because of the great big sign about dog poop! 1261 01:02:02,290 --> 01:02:07,290 (group laughs) (camera snapping) 1262 01:02:16,070 --> 01:02:18,020 - After I'd personally appealed to you. 1263 01:02:19,740 --> 01:02:21,720 - Look, you can't blame her. 1264 01:02:21,720 --> 01:02:23,070 It was me, it was my fault. 1265 01:02:43,798 --> 01:02:47,870 - We have to have a talk, don't we, David? 1266 01:02:47,870 --> 01:02:49,640 Because whilst I might be able to overlook 1267 01:02:49,640 --> 01:02:51,500 a small lapse or two, 1268 01:02:51,500 --> 01:02:55,780 even perhaps find humorous your campaign 1269 01:02:55,780 --> 01:02:57,223 of juvenile defiance, 1270 01:02:58,390 --> 01:03:00,673 I think it's pretty obvious you've gone too far. 1271 01:03:03,350 --> 01:03:04,880 Now, I don't suppose you and I are ever going to agree 1272 01:03:04,880 --> 01:03:06,460 on the nature of beauty, or elegance, 1273 01:03:06,460 --> 01:03:10,240 or anything important we're here to shoot, 1274 01:03:10,240 --> 01:03:12,190 so let's agree on some changes instead. 1275 01:03:13,480 --> 01:03:14,830 - I'm not changing nothing. 1276 01:03:16,660 --> 01:03:18,500 - In which case, I'm not saying 1277 01:03:18,500 --> 01:03:20,223 she has no redeeming features, 1278 01:03:21,570 --> 01:03:23,533 and I've tried very hard to like her, 1279 01:03:24,620 --> 01:03:26,680 but as one professional to another, 1280 01:03:26,680 --> 01:03:29,690 we have to save this assignment and something has to give. 1281 01:03:29,690 --> 01:03:32,973 Now, if you are going to insist on this grubby verite, 1282 01:03:34,490 --> 01:03:36,250 I've already been recommended 1283 01:03:36,250 --> 01:03:37,570 a number of professional girls 1284 01:03:37,570 --> 01:03:41,470 all with much more acceptable looks, 1285 01:03:41,470 --> 01:03:42,753 several of which whom I'm sure 1286 01:03:42,753 --> 01:03:45,090 will be available immediately. 1287 01:03:45,090 --> 01:03:45,940 - Is this a joke? 1288 01:03:49,200 --> 01:03:50,623 - Am I laughing, Mr. Bailey? 1289 01:03:53,457 --> 01:03:55,107 - You still don't get it, do you? 1290 01:03:56,020 --> 01:03:57,730 What Jean's got. 1291 01:03:57,730 --> 01:04:01,260 What all those other bloody bints don't even come close to. 1292 01:04:01,260 --> 01:04:02,380 - Then perhaps you'd like to alter 1293 01:04:02,380 --> 01:04:05,113 some other aspect of the shoot personnel? 1294 01:04:07,200 --> 01:04:08,300 - You don't want Jean. 1295 01:04:09,321 --> 01:04:10,758 Up yours. 1296 01:04:10,758 --> 01:04:13,341 (gentle music) 1297 01:04:14,470 --> 01:04:15,473 - Your Ladyship? 1298 01:04:16,383 --> 01:04:18,750 I wanna apologize for my behavior 1299 01:04:18,750 --> 01:04:19,760 and I also want to reassure you 1300 01:04:19,760 --> 01:04:21,863 that they'll never be an incident like that again. 1301 01:04:24,706 --> 01:04:25,539 - Good. 1302 01:04:32,530 --> 01:04:34,330 - [David] She's a bloody good model. 1303 01:04:35,460 --> 01:04:38,547 I ain't gonna work with no one else. 1304 01:04:50,615 --> 01:04:52,615 (sighs) 1305 01:04:54,211 --> 01:04:56,711 (phone rings) 1306 01:05:02,577 --> 01:05:03,553 - Mr. Bailey? 1307 01:05:05,320 --> 01:05:07,080 Alexander Lieberman. 1308 01:05:07,080 --> 01:05:09,230 I'm the senior creative director over here. 1309 01:05:10,126 --> 01:05:10,959 Can we talk? 1310 01:05:15,530 --> 01:05:16,983 Walked out on her, huh? 1311 01:05:18,100 --> 01:05:19,193 Well, okay, fine. 1312 01:05:20,690 --> 01:05:21,890 It doesn't matter, then. 1313 01:05:23,040 --> 01:05:24,340 - What, what don't matter? 1314 01:05:25,520 --> 01:05:27,350 - I gotta say it, Mr. Bailey, 1315 01:05:27,350 --> 01:05:28,940 your pictures need more direction. 1316 01:05:28,940 --> 01:05:30,240 You're all over the place. 1317 01:05:31,180 --> 01:05:33,180 Now, I've had Clare Rendlesham on the phone 1318 01:05:33,180 --> 01:05:34,540 about your choice of model 1319 01:05:34,540 --> 01:05:37,630 and I've been hearing some pretty hair-raising stories 1320 01:05:37,630 --> 01:05:39,130 about the situation here. 1321 01:05:39,130 --> 01:05:42,160 - Who wants to see stiff birds standing in stiff poses 1322 01:05:42,160 --> 01:05:44,180 that no one's ever stood in in their lives?! 1323 01:05:44,180 --> 01:05:45,013 - Well, no one. 1324 01:05:46,310 --> 01:05:48,180 But you want to be William Klein? 1325 01:05:48,180 --> 01:05:50,210 You want to be Dick Avedon? 1326 01:05:50,210 --> 01:05:51,280 You're gonna have to do better 1327 01:05:51,280 --> 01:05:54,570 than sticking two English fingers up to your fashion editor. 1328 01:05:54,570 --> 01:05:56,930 - I just wanna make something alive. 1329 01:05:56,930 --> 01:05:59,210 - Then go farm chickens, son. 1330 01:05:59,210 --> 01:06:00,350 This here is fashion. 1331 01:06:00,350 --> 01:06:03,363 It's a serious business involving serious people. 1332 01:06:04,320 --> 01:06:07,940 Frankly, I'd have fired you a while ago. 1333 01:06:07,940 --> 01:06:09,080 - Now, look, mate, 1334 01:06:09,080 --> 01:06:11,731 first her, now you! - Look at what? 1335 01:06:11,731 --> 01:06:14,520 I don't get it with you. 1336 01:06:14,520 --> 01:06:15,353 You're good. 1337 01:06:16,190 --> 01:06:17,601 You could be really good. 1338 01:06:17,601 --> 01:06:18,450 - [Mrs. Vreeland] No! 1339 01:06:18,450 --> 01:06:20,850 Boring, boring, boring! 1340 01:06:20,850 --> 01:06:23,668 Who else doesn't want to work at Vogue anymore?! 1341 01:06:23,668 --> 01:06:25,000 (door slams) 1342 01:06:25,000 --> 01:06:27,223 - But you gotta pick your battles a bit better. 1343 01:06:31,724 --> 01:06:34,807 (somber piano music) 1344 01:07:11,420 --> 01:07:14,503 (footsteps treading) 1345 01:07:16,191 --> 01:07:17,024 - Bailey? 1346 01:07:18,769 --> 01:07:20,269 - I blame Picasso. 1347 01:07:21,231 --> 01:07:25,314 When I saw Picasso, I thought if you can do that, 1348 01:07:26,890 --> 01:07:27,890 you can do anything. 1349 01:07:30,070 --> 01:07:31,203 Maybe you can't. 1350 01:07:32,430 --> 01:07:33,273 Maybe I can't. 1351 01:07:44,706 --> 01:07:46,039 - What happened? 1352 01:07:50,455 --> 01:07:51,788 Is it about her? 1353 01:07:53,530 --> 01:07:55,273 What do you want to do? 1354 01:07:57,553 --> 01:07:59,333 - I don't know what I wanna do. 1355 01:08:00,683 --> 01:08:02,213 I have no idea, none. 1356 01:08:03,760 --> 01:08:05,980 - Why is it so important to beat Lady Clare? 1357 01:08:05,980 --> 01:08:08,870 - Because I've been fighting her all my bleeding life. 1358 01:08:08,870 --> 01:08:10,370 You're too posh to understand. 1359 01:08:11,610 --> 01:08:13,053 - I am not posh! 1360 01:08:14,835 --> 01:08:16,133 (door clacks) - Let me have a look. 1361 01:08:19,350 --> 01:08:22,820 - I'm not posh any more than you are, David Royston Bailey. 1362 01:08:22,820 --> 01:08:25,610 I am me and sometimes when you go head-to-head 1363 01:08:25,610 --> 01:08:28,960 with that stupid woman, I wonder if you even know I'm there. 1364 01:08:28,960 --> 01:08:30,870 - Oh, I know you're there, all right. 1365 01:08:30,870 --> 01:08:33,270 Christ, I know you're bloody there! 1366 01:08:33,270 --> 01:08:35,057 Can't exactly miss you, can I?! 1367 01:08:37,004 --> 01:08:38,710 - What is it? 1368 01:08:38,710 --> 01:08:40,253 What's the matter, Bailey? 1369 01:08:45,633 --> 01:08:47,093 - I sorta walked out. 1370 01:08:49,400 --> 01:08:50,233 - You what? 1371 01:08:52,710 --> 01:08:56,150 - She didn't like what we were doing. 1372 01:08:56,150 --> 01:08:56,983 - We? 1373 01:08:58,727 --> 01:08:59,560 You mean me. 1374 01:09:01,807 --> 01:09:02,713 You stupid man. 1375 01:09:03,570 --> 01:09:06,141 You absolute bloody idiot. 1376 01:09:06,141 --> 01:09:08,320 (gentle music) 1377 01:09:08,320 --> 01:09:11,693 You know I'd do anything for you. 1378 01:09:13,910 --> 01:09:14,850 Anything. 1379 01:09:14,850 --> 01:09:16,310 I don't care. 1380 01:09:16,310 --> 01:09:18,130 I really don't care. 1381 01:09:19,561 --> 01:09:20,394 But you do. 1382 01:09:22,694 --> 01:09:23,600 Where is she? 1383 01:09:23,600 --> 01:09:25,323 She here at the hotel? 1384 01:09:27,420 --> 01:09:28,253 - Jean! 1385 01:09:34,392 --> 01:09:35,392 - Thank you. 1386 01:09:41,639 --> 01:09:44,110 - Whatever you want, name it. 1387 01:09:44,110 --> 01:09:45,843 I'll do anything, be anything. 1388 01:09:49,130 --> 01:09:50,330 Just let him do his job. 1389 01:10:10,189 --> 01:10:11,383 - Lovely. 1390 01:10:14,163 --> 01:10:15,683 I think we'll do Fifth Avenue. 1391 01:10:17,643 --> 01:10:20,476 (slow jazz music) 1392 01:10:23,640 --> 01:10:24,473 - Well, that's it now. 1393 01:10:24,473 --> 01:10:26,180 Now roll your shoulder a bit. 1394 01:10:26,180 --> 01:10:27,430 That's it, a little lean. 1395 01:10:27,430 --> 01:10:29,343 Now, into the window. 1396 01:10:30,900 --> 01:10:33,040 Yeah, we're not quite there. (camera snaps) 1397 01:10:33,040 --> 01:10:34,697 Stupid bloody hairdo. 1398 01:10:41,793 --> 01:10:43,317 - Very elegant. 1399 01:10:43,317 --> 01:10:45,458 A little higher with the teddy bear. 1400 01:10:45,458 --> 01:10:46,705 (camera snaps) We'll need all the way 1401 01:10:46,705 --> 01:10:48,984 down toward, oh, that's wonderful. 1402 01:10:48,984 --> 01:10:49,913 Oh, today is going well. 1403 01:10:49,913 --> 01:10:50,746 - Yes, yes. 1404 01:10:50,746 --> 01:10:54,913 - A little bit more lapel, please, Miss Shrimpton. 1405 01:10:56,276 --> 01:10:57,391 (camera snaps) Perfect, done. 1406 01:10:57,391 --> 01:10:59,202 Right, now. 1407 01:10:59,202 --> 01:11:01,063 - [David] Hold it there, darling. 1408 01:11:01,063 --> 01:11:01,896 (camera snaps) 1409 01:11:01,896 --> 01:11:06,896 - Mr. Bailey. 1410 01:11:14,498 --> 01:11:15,835 - [Jean] Come on, Bailey, 1411 01:11:15,835 --> 01:11:18,626 we'll get through this, it's all right. 1412 01:11:18,626 --> 01:11:20,260 - I don't want it to be all right. 1413 01:11:20,260 --> 01:11:22,410 Didn't come all this way for it to be all right. 1414 01:11:22,410 --> 01:11:24,430 Now, let's do it again, and maybe this time, 1415 01:11:24,430 --> 01:11:25,760 the bags underneath your bloody eyes 1416 01:11:25,760 --> 01:11:27,263 won't show up so bloody much! 1417 01:11:29,670 --> 01:11:32,773 - Right, well, one more little job left to do. 1418 01:11:35,020 --> 01:11:36,723 The Brooklyn Bridge, Larry. 1419 01:11:49,710 --> 01:11:50,570 - [David] Freezing. 1420 01:11:50,570 --> 01:11:52,614 Stupid thing's stuck to my hand. 1421 01:11:52,614 --> 01:11:54,175 - [Clare] Where's the view, Mr. Bailey? 1422 01:11:54,175 --> 01:11:56,240 - What? - The view. 1423 01:11:56,240 --> 01:11:57,580 What is the point in a bridge, Mr. Bailey? 1424 01:11:57,580 --> 01:12:00,300 What is the point in this vast expanse 1425 01:12:00,300 --> 01:12:01,500 between these two islands, 1426 01:12:01,500 --> 01:12:04,080 if not to look back at that wonderful vista? 1427 01:12:04,080 --> 01:12:08,350 Ah, like Norman Parkinson did in 1956. 1428 01:12:08,350 --> 01:12:09,920 - I'm not here to make postcards. 1429 01:12:09,920 --> 01:12:11,430 - [Clare] Sorry, what? 1430 01:12:11,430 --> 01:12:14,586 - [David] I said I'm not here to shoot bloody postcards. 1431 01:12:14,586 --> 01:12:17,760 - No, we're here to do exactly what I tell you to do. 1432 01:12:17,760 --> 01:12:18,600 - Oh, really? 1433 01:12:18,600 --> 01:12:19,493 - Yes, really. 1434 01:12:20,682 --> 01:12:22,532 So kindly point it in that direction. 1435 01:12:24,250 --> 01:12:25,810 - No. 1436 01:12:25,810 --> 01:12:27,500 Larry, could you get me a cup of coffee, please? 1437 01:12:27,500 --> 01:12:28,600 - Okay, sure. 1438 01:12:28,600 --> 01:12:30,780 - Tea, Larry, China tea. 1439 01:12:30,780 --> 01:12:33,729 The bilge they call coffee here is universally vile. 1440 01:12:33,729 --> 01:12:34,695 - Bailey. - We'll have tea. 1441 01:12:34,695 --> 01:12:36,410 - Okay, yes, ma'am. - Coffee, Larry. 1442 01:12:36,410 --> 01:12:38,630 American fucking coffee. 1443 01:12:38,630 --> 01:12:40,225 - [Larry] Mm-hm. 1444 01:12:40,225 --> 01:12:42,025 - All right, then, Jean, here we go. 1445 01:12:44,280 --> 01:12:46,388 - I order you to turn around. 1446 01:12:46,388 --> 01:12:47,888 - [David] Get off! 1447 01:12:50,529 --> 01:12:52,437 (camera snaps) 1448 01:12:52,437 --> 01:12:54,400 - Do it, now! - Get the fuck off, 1449 01:12:54,400 --> 01:12:56,420 you stupid, stuck-up bitch! 1450 01:12:56,420 --> 01:12:57,413 - That is it, that is it! 1451 01:12:58,763 --> 01:12:59,596 You're fired! 1452 01:12:59,596 --> 01:13:00,990 I'm gonna have your contract incinerated! 1453 01:13:00,990 --> 01:13:02,316 - Jean, head up! - You're never going to work 1454 01:13:02,316 --> 01:13:04,283 for Conde Nast ever again. 1455 01:13:04,283 --> 01:13:06,120 - I said higher, are you bloody listening to me?! 1456 01:13:06,120 --> 01:13:07,502 - I knew it. - Down with the bear! 1457 01:13:07,502 --> 01:13:08,502 - I knew it! 1458 01:13:09,798 --> 01:13:11,169 - Bailey. 1459 01:13:11,169 --> 01:13:13,458 - [Clare] And you will never-- 1460 01:13:13,458 --> 01:13:14,291 - Bailey. 1461 01:13:16,205 --> 01:13:18,202 (David faintly speaking) 1462 01:13:18,202 --> 01:13:19,314 Bailey, please. 1463 01:13:19,314 --> 01:13:21,532 - Conde Nast was in debt. 1464 01:13:21,532 --> 01:13:23,135 - Bailey. 1465 01:13:23,135 --> 01:13:27,567 - And we are not in Hanover bloody Square anymore! 1466 01:13:27,567 --> 01:13:28,945 - Bailey, please. - Do you want to know 1467 01:13:28,945 --> 01:13:30,463 who runs me and you?! 1468 01:13:30,463 --> 01:13:33,340 Mrs. bloody Vreeland, that's who! 1469 01:13:33,340 --> 01:13:34,618 Runs! 1470 01:13:34,618 --> 01:13:35,470 Owns! 1471 01:13:35,470 --> 01:13:38,260 There's a new world coming, with new rules, 1472 01:13:38,260 --> 01:13:40,960 where people will be applauded and will be beautiful, 1473 01:13:40,960 --> 01:13:42,680 not because of who their daddy was, 1474 01:13:42,680 --> 01:13:45,430 but because of who they are, here and now, 1475 01:13:45,430 --> 01:13:47,163 in front of the camera! 1476 01:13:48,130 --> 01:13:51,963 You're dead and gone, you and all your hoity-toity pals. 1477 01:13:52,810 --> 01:13:54,927 You just don't bloody know it yet. 1478 01:13:58,650 --> 01:14:01,543 - Lady Clare, the concession was shut, 1479 01:14:02,460 --> 01:14:05,160 so no tea or coffee, I'm sorry. 1480 01:14:05,160 --> 01:14:07,210 - We are leaving, Larry. 1481 01:14:07,210 --> 01:14:09,180 - Thank Christ for that! 1482 01:14:09,180 --> 01:14:11,023 Go polish your fucking tiara! 1483 01:14:13,119 --> 01:14:18,119 Jean?! 1484 01:14:19,010 --> 01:14:21,949 Jean? 1485 01:14:21,949 --> 01:14:22,782 Shit. 1486 01:14:24,522 --> 01:14:25,940 Jean? 1487 01:14:25,940 --> 01:14:27,107 Darling, Jean. 1488 01:14:35,805 --> 01:14:37,950 (phone rings) 1489 01:14:37,950 --> 01:14:39,463 - Hello, Ailsa Garland. 1490 01:14:40,980 --> 01:14:42,205 - Thank God. 1491 01:14:42,205 --> 01:14:44,155 I've been ringing and ringing all week. 1492 01:14:46,450 --> 01:14:47,563 Yes, it's about him. 1493 01:14:49,970 --> 01:14:51,680 Ailsa, he is just impossible. 1494 01:14:51,680 --> 01:14:53,800 He is an upstart of the worst, worst sort. 1495 01:14:53,800 --> 01:14:55,290 His ego. 1496 01:14:55,290 --> 01:14:57,000 Doesn't even know how to frame a shot. 1497 01:14:57,000 --> 01:14:59,043 He has no culture, he has no restraint. 1498 01:14:59,915 --> 01:15:03,420 He insists on using his girlfriend, some snub-nosed parvenu, 1499 01:15:03,420 --> 01:15:06,963 who shudders and shakes through every shot, the decors. 1500 01:15:06,963 --> 01:15:08,130 He just wants to rub us in the filth 1501 01:15:08,130 --> 01:15:09,490 he finds on every street corner. 1502 01:15:09,490 --> 01:15:11,660 And he seems to think that being ridiculously young 1503 01:15:11,660 --> 01:15:13,653 is some justification. 1504 01:15:14,870 --> 01:15:16,723 I have to insist that he is removed. 1505 01:15:19,660 --> 01:15:20,850 Oh, you have? 1506 01:15:20,850 --> 01:15:22,919 - Yes, yes, they arrived yesterday. 1507 01:15:22,919 --> 01:15:23,752 - Oh! 1508 01:15:23,752 --> 01:15:25,570 Oh, that's marvelous. 1509 01:15:25,570 --> 01:15:27,664 That's wonderful. 1510 01:15:27,664 --> 01:15:29,470 Well, now you have the proof. 1511 01:15:29,470 --> 01:15:31,190 Now you can see. 1512 01:15:31,190 --> 01:15:33,900 You can see for yourselves how appalling-- 1513 01:15:33,900 --> 01:15:38,900 - Clare, darling, listen to me very carefully. 1514 01:15:39,113 --> 01:15:42,196 (somber piano music) 1515 01:15:54,646 --> 01:15:55,479 - Really? 1516 01:16:01,812 --> 01:16:02,645 Of course. 1517 01:16:07,352 --> 01:16:08,769 Consider it done. 1518 01:16:13,883 --> 01:16:15,300 Thank you, Ailsa. 1519 01:16:16,814 --> 01:16:19,397 (phone clacks) 1520 01:16:33,803 --> 01:16:35,136 - You all right? 1521 01:16:46,664 --> 01:16:49,060 (sighs) 1522 01:16:49,060 --> 01:16:50,360 Got a bit chilly up there. 1523 01:16:57,170 --> 01:16:58,003 I'm sorry. 1524 01:17:01,394 --> 01:17:02,227 (sighs) 1525 01:17:02,227 --> 01:17:06,153 Nice pics, though, my last for that magazine. 1526 01:17:11,150 --> 01:17:14,573 Yeah, well, we gave her what for, didn't we? 1527 01:17:15,480 --> 01:17:16,880 We showed the posh old tart. 1528 01:17:20,830 --> 01:17:21,697 You hungry? 1529 01:17:24,673 --> 01:17:27,423 You something else? 1530 01:17:31,300 --> 01:17:32,763 You ticked off? 1531 01:17:36,430 --> 01:17:37,703 Don't be like that, Jean. 1532 01:17:39,993 --> 01:17:42,873 Come on, let's go eat, 1533 01:17:44,090 --> 01:17:46,483 see a movie, have a giggle. 1534 01:17:47,485 --> 01:17:51,023 I'll get you a nice towel, take care of you. 1535 01:17:53,706 --> 01:17:55,039 - No, you won't. 1536 01:17:56,420 --> 01:17:58,060 - Yeah. 1537 01:17:58,060 --> 01:17:58,990 Of course I will. 1538 01:17:59,948 --> 01:18:02,115 - No 'cause it's always me 1539 01:18:04,310 --> 01:18:05,960 that does the changing, isn't it? 1540 01:18:07,350 --> 01:18:11,423 Clothes, the hair, they make me different somehow, 1541 01:18:12,760 --> 01:18:14,083 like a dressing-up doll. 1542 01:18:16,710 --> 01:18:19,723 But you, you don't change, do you? 1543 01:18:21,580 --> 01:18:25,083 I haven't changed you a bit, none of this has. 1544 01:18:27,100 --> 01:18:28,910 Don't think you feel the same way about me 1545 01:18:28,910 --> 01:18:30,113 as I do about you. 1546 01:18:31,934 --> 01:18:34,180 You're too selfish and proud 1547 01:18:35,420 --> 01:18:37,483 and entirely yourself to manage it. 1548 01:18:40,054 --> 01:18:41,354 And I need you to, Bailey. 1549 01:18:43,560 --> 01:18:44,393 I want... 1550 01:18:46,600 --> 01:18:50,870 I deserve someone who feels the same way about me 1551 01:18:50,870 --> 01:18:52,033 as I do about them. 1552 01:18:54,890 --> 01:18:59,103 So if you don't, then that's it. 1553 01:19:00,070 --> 01:19:00,903 Isn't it? 1554 01:19:10,270 --> 01:19:12,020 - I'll take care of you, all right? 1555 01:19:43,961 --> 01:19:47,450 (water splashes) 1556 01:19:47,450 --> 01:19:49,072 Fuck 'em. 1557 01:19:49,072 --> 01:19:49,905 Fuck 'em all. 1558 01:19:51,223 --> 01:19:52,073 I love you, Jean. 1559 01:19:53,412 --> 01:19:54,579 I always have. 1560 01:19:55,911 --> 01:19:57,543 (laughs) 1561 01:19:57,543 --> 01:19:58,626 - Oh, Bailey. 1562 01:20:00,126 --> 01:20:03,209 (gentle piano music) 1563 01:20:31,663 --> 01:20:34,746 (footsteps treading) 1564 01:20:36,582 --> 01:20:37,415 Ready. 1565 01:20:41,523 --> 01:20:42,523 - Did you... 1566 01:20:44,873 --> 01:20:47,123 Have you changed something? 1567 01:20:48,052 --> 01:20:51,135 - Oh, I suppose it just felt like me. 1568 01:20:54,320 --> 01:20:55,153 - Yeah. 1569 01:20:56,520 --> 01:20:57,353 Yeah, it is. 1570 01:20:59,170 --> 01:21:00,120 It's just like you. 1571 01:21:04,033 --> 01:21:05,252 Come on. 1572 01:21:05,252 --> 01:21:07,102 Let's say goodbye to Al before we go. 1573 01:21:19,651 --> 01:21:20,600 (sighs) 1574 01:21:20,600 --> 01:21:24,130 Well, Good Housekeeping pays more. 1575 01:21:24,130 --> 01:21:25,830 - Pet Fancier's Gazette pays more. 1576 01:21:27,490 --> 01:21:30,288 - Ain't really about the money, though, is it? 1577 01:21:30,288 --> 01:21:31,435 - No. 1578 01:21:31,435 --> 01:21:32,268 No, it's not. 1579 01:21:33,776 --> 01:21:36,276 (door clacks) 1580 01:21:44,540 --> 01:21:46,190 - Nice day for it, Your Highness. 1581 01:21:47,120 --> 01:21:48,400 Bit bright, maybe? 1582 01:21:48,400 --> 01:21:49,730 - Oh, shut up, you little shit, 1583 01:21:49,730 --> 01:21:51,970 and shoot whatever trashy nonsense you have in mind, 1584 01:21:51,970 --> 01:21:54,260 so we can get out of this godforsaken latrine 1585 01:21:54,260 --> 01:21:55,593 and back to civilization. 1586 01:21:56,730 --> 01:21:57,563 - What, we're staying? 1587 01:21:57,563 --> 01:21:58,743 - We're not fired? 1588 01:22:00,410 --> 01:22:02,710 - You're to complete the assignment. 1589 01:22:02,710 --> 01:22:06,280 There is, apparently, a refreshing vitality 1590 01:22:06,280 --> 01:22:07,830 and youthfulness in the material 1591 01:22:07,830 --> 01:22:10,707 conducive to newer and younger readers of "Vogue." 1592 01:22:15,270 --> 01:22:18,710 She apparently, she's beautiful. 1593 01:22:18,710 --> 01:22:21,823 - Sorry, I'm a bit Mutt and Jeff. 1594 01:22:22,900 --> 01:22:24,063 She's what? 1595 01:22:26,820 --> 01:22:27,653 - Beautiful. 1596 01:22:28,690 --> 01:22:30,533 - Yeah, she bloody is. 1597 01:22:34,180 --> 01:22:36,393 One little problem. 1598 01:22:40,840 --> 01:22:42,523 I trashed the negs. 1599 01:22:43,820 --> 01:22:44,653 We have nothing. 1600 01:22:47,120 --> 01:22:50,533 Unless you sent some copies home to Matron? 1601 01:22:54,840 --> 01:22:57,580 Larry, egg and chips all around. 1602 01:22:57,580 --> 01:22:58,957 - All right. - That's cola. 1603 01:22:58,957 --> 01:22:59,810 - Egg and chips-- - Pancakes. 1604 01:22:59,810 --> 01:23:01,400 - Four egg and chips. 1605 01:23:01,400 --> 01:23:02,380 - What's that? - Colas. 1606 01:23:02,380 --> 01:23:03,430 - Pumpkin pie. (Jean laughs) 1607 01:23:03,430 --> 01:23:04,300 - Pumpkin pie. 1608 01:23:04,300 --> 01:23:06,350 - And an English tea for Lady Clare. 1609 01:23:06,350 --> 01:23:08,523 - [Larry] And English breakfast if you have that. 1610 01:23:08,523 --> 01:23:10,682 - No, tea, Larry! - Yeah, that is a tea. 1611 01:23:10,682 --> 01:23:13,357 Yeah, okay. (both laugh) 1612 01:23:13,357 --> 01:23:16,024 (eggs sizzling) 1613 01:23:17,516 --> 01:23:20,099 (lively music) 1614 01:23:23,325 --> 01:23:25,658 - Lady Clare, come on, love! 1615 01:23:31,135 --> 01:23:32,132 Are you coming? 1616 01:23:32,132 --> 01:23:34,195 Get over there for some shots. 1617 01:23:34,195 --> 01:23:35,201 There, yeah. 1618 01:23:35,201 --> 01:23:38,540 (camera snapping) 1619 01:23:38,540 --> 01:23:39,870 There you go. 1620 01:23:39,870 --> 01:23:42,287 (both laugh) 1621 01:23:49,658 --> 01:23:50,491 Here we go now. 1622 01:23:50,491 --> 01:23:52,620 Here we go now, into the reflection. 1623 01:23:52,620 --> 01:23:55,810 (camera snaps) 1624 01:23:55,810 --> 01:23:58,060 (whistles) 1625 01:24:06,523 --> 01:24:09,106 (camera snaps) 1626 01:24:11,613 --> 01:24:12,819 (Clare mumbles) 1627 01:24:12,819 --> 01:24:15,902 - The one building in the entire city 1628 01:24:17,044 --> 01:24:19,877 of New bloody York without a lift. 1629 01:24:34,173 --> 01:24:35,824 Great. 1630 01:24:35,824 --> 01:24:37,335 Now he gets serious. 1631 01:24:37,335 --> 01:24:38,765 - Right, here we go, Jean. 1632 01:24:38,765 --> 01:24:39,598 Head up. 1633 01:24:43,015 --> 01:24:43,848 Lovely. 1634 01:24:45,364 --> 01:24:48,197 (camera snapping) 1635 01:24:50,940 --> 01:24:52,500 - Mrs. Vreeland, I must apologize 1636 01:24:52,500 --> 01:24:53,800 for the unkempt appearance-- 1637 01:24:53,800 --> 01:24:56,283 - But they are adorable. 1638 01:24:58,850 --> 01:25:01,940 England has arrived. 1639 01:25:01,940 --> 01:25:04,110 Now, this is exactly what I have been 1640 01:25:04,110 --> 01:25:06,090 telling all you people about. 1641 01:25:06,090 --> 01:25:07,753 This is now! 1642 01:25:08,730 --> 01:25:10,090 Are you two married? 1643 01:25:10,090 --> 01:25:12,177 Don't you think they should be married? 1644 01:25:12,177 --> 01:25:13,010 (Jean laughs) 1645 01:25:13,010 --> 01:25:14,230 It would be so chic. 1646 01:25:14,230 --> 01:25:15,780 - I don't know about that. 1647 01:25:15,780 --> 01:25:18,770 - Maybe you picked the right battle after all. 1648 01:25:18,770 --> 01:25:20,265 Call me. - Turn around, turn around. 1649 01:25:20,265 --> 01:25:21,350 Who's the the dress by? 1650 01:25:21,350 --> 01:25:22,183 - The dress. 1651 01:25:22,183 --> 01:25:23,050 Did you want me to introduce you? 1652 01:25:23,050 --> 01:25:23,960 - Sure. - Yeah, come on. 1653 01:25:23,960 --> 01:25:25,330 - I'm from the country. 1654 01:25:25,330 --> 01:25:26,300 Bucks. 1655 01:25:26,300 --> 01:25:27,710 - Bucks. - Bucks. 1656 01:25:27,710 --> 01:25:29,100 - What is that, dollars? 1657 01:25:29,100 --> 01:25:30,750 - [Larry] Bailey, you want to know this woman, okay? 1658 01:25:30,750 --> 01:25:31,970 - Hello, you all right? 1659 01:25:31,970 --> 01:25:33,410 So why do I wanna know you, then? 1660 01:25:33,410 --> 01:25:34,367 - [Mrs. Vreeland] Where did you find it? 1661 01:25:34,367 --> 01:25:35,680 - It was left over from the shoot. 1662 01:25:35,680 --> 01:25:36,600 - It's from Quant. 1663 01:25:36,600 --> 01:25:38,212 It's Mary Quant. 1664 01:25:38,212 --> 01:25:39,887 - Mary what? - Mary Quant. 1665 01:25:39,887 --> 01:25:42,470 (upbeat music) 1666 01:25:55,850 --> 01:25:57,090 - What the hell is this rubbish? 1667 01:25:57,090 --> 01:26:00,210 - Don't know, some pop person. 1668 01:26:00,210 --> 01:26:01,513 Cliff Richard, probably. 1669 01:26:01,513 --> 01:26:02,651 Skiffle? 1670 01:26:02,651 --> 01:26:05,620 - I hate pop, and skiffle. 1671 01:26:05,620 --> 01:26:07,630 If I never have to shoot a bloody pop star again, 1672 01:26:07,630 --> 01:26:09,060 it'll be too soon. 1673 01:26:09,060 --> 01:26:11,810 I tell you, this is gonna be the best jazz decade ever. 1674 01:26:14,000 --> 01:26:15,350 - Mr. Bailey. 1675 01:26:15,350 --> 01:26:16,183 - Lady Clare? 1676 01:26:17,130 --> 01:26:18,153 - We should talk. 1677 01:26:19,380 --> 01:26:22,283 Perhaps I could offer you some form of representation. 1678 01:26:29,503 --> 01:26:32,637 - [David] Let's have a coffee and go around two o'clock. 1679 01:26:32,637 --> 01:26:34,947 - Jolly well done. (receptionist clapping) 1680 01:26:34,947 --> 01:26:37,864 (group applauding) 1681 01:27:26,754 --> 01:27:29,837 (gentle piano music)